brigid: (9CL)
[personal profile] brigid

2-22-2023

I don't fully understand the time line of this particular story.

Mary purchased a recording of Amos' music and has it on her when she encounters Edda. Did they plan to meet? Was it a coincidence? Was it a planned coincidence? Edda infodumps at her, making it clear they haven't spoken in at least five years.

After Edda's quick summary of her life, Mary reveals some more emotional yet vague details of her own (does she have a job? children? pets? where does she live?). The two discuss Amos and how rad and sexy he is.

The two women encounter Amos (accidentally? on purpose?) who does not recognize Mary. Edda refuses to share Mary's identity. Mary has "a recording" which is... an enormous CD? A 7" album? She asks Amos to sign it. He doesn't remember who she is, which is embarrassing for him and mortifying for her.

The mortification seems to be the point.

Mary walks away. Amos recognizes her back, even though they spent years together speaking face to face, in addition to meeting twice as adults in New York (once at his instigation).

Edda and Amos, now dressed in formal wear, discuss Mary. There is no background or any sort of context clue other than their garb as to where they are. They dance in one strip, Amos plays the piano while Edda crouches on said piano in another strip, then in the third strip they are dancing (?) as Mary applies make up.

Mary slinks toward the "camera" only to be nearly "accidentally" kicked by Edda. She is in the same vague location they are, dressed in a formal yet incredibly revealing gown (like Edda is).

It's unclear how she got there. Did she follow them? Ask mutual friends? Come upon them accidentally?

Mary asks to cut in. Amos responds by bending Edda backward in a deep kiss and then picking her up and carrying her away.

Mary, alone, sits at a table. Seth, who doesn't recognize her, sits with her while he waits for his wife Fernanda. This is, apparently, a public place where strangers feel comfortable interacting.

The two realize they do know each other after all, via Edda. Seth mentions that he's gay, as cis men who marry cis women so very often mention. There's "witty banter" and then Fernanda appears. Mary finds her sexy (?). Fernanda sits in Seth's lap. Seth and Fernanda make out (in this public place) while Mary watches. Seth points out that Mary has never known True Love. ("True Love" is "sitting on someone's lap in public directly in front of a stranger making out hot and heavy" I guess)

Seth and Fernanda leave to dance. Mary remains at the table, lacking a dance partner.

Hugh approaches the table, stating he was meant to meet Seth and Fernanda there. I guess... tables... are assigned? Reserved? Mary has been there long enough that a glass of wine has appeared. We see that the table is fairly large, actually, with seating for 6. After announcing that they are horny and want to fuck Seth and Fernanda walk away, heading home, apparently without greeting or speaking to Hugh? We don't actually see them interact.

After striking out with gay, married Seth Mary tries flirting with Hugh who casually mentions his wife. Xiulan shows up, still massively pregnant. Like Amos, he's in a tuxedo. Edda, Fernanda, and Mary are all dressed in clingy, revealing, "sexy" evening gowns. Xiulan is in a baggy turtleneck and loose jumper (sleeveless dress worn over a shirt/pinafore).

Edda and Amos pop by (where did Amos carry Edda off to, exactly? and why?) to say hello to Hugh and Xiulan and say they are going home to... eat home made spaghetti. It's set up like Edda's going to announce their plans to flee and fuck, of course. No, no. It's spaghetti. The fucking comes later.

Edda... invites Mary home to eat spaghetti with them?

Everyone else leaves, with Hugh and Xiulan remaining at a large table... in a dance hall?

I mean, I'm assuming this is one of their much-beloved Tango Salons since McEldowney established fifteen or twenty years ago that these folks attend them regularly. However there is literally no way any recent and/or casual reader would ever know that.

Mary and Edda ran into each other in a white void, discussed Amos in a white void, talked to Amos in a white void.

Edda and Amos, in different clothing, danced in a multicolored void. Mary, similarly attired, joined them in the colorful void. More characters joined them. The only furniture? A piano, a large table, some dining chairs, and a glass of wine. Ok, a glass of wine isn't furniture. Set piece.

It remains unclear how Mary found them there. Did they plan to go there together? Did the three couples plan to meet there? Did all seven of them plan to dance together? Why on earth would you get dressed up, travel to a place, dance one dance, then go home? Why on earth would you get dressed up, travel to a place, dance one dance, then go home to eat spaghetti?

This kind of... feels like Mary was ritually humiliated and now that she's been torn down to mud she can be permitted in their home. Assuming she wasn't in their home before. They may have all been standing on a street corner, or in a cafe, or in their living room. Waiting for a bus. At the zoo. At a different dance hall.

Tomorrow's Thursday. What will the strip bring? More Mary? Some kind of flash back to toddler-aged Amos and Edda discussing conceiving children? Edda and Amos as adults eating ice cream and riding ponies without their children? Mark proclaiming his finally-realized love for Janice or some other girl? A talking cat being wrong about grammar?

I'm tired.
brigid: (9CL)
[personal profile] brigid

2-21-2023

Ok so either Edda and Amos are leaving mere seconds after everyone in the group has arrived so they can go and... eat spaghetti???... or "spaghetti" is their public code word for "fuck." Or spaghetti is foreplay? Either way, Hugh and Xiulan have already been deserted by Seth and Fernanda and thus will have been stood up by everyone in their party except for Mary who is a stranger and who Has Baggage. I enjoy spending time with my husband but if I put on a tux and went out to meet two other couples and they both ditched me I'd be really hurt. If I were 10 months pregnant and waddled my ass over there only to be abandoned by so-called "friends" so they could streak home and fuck I'd be incandescent with rage. Absolutely incandescent.

While it looks like Edda is coming on to Mary/inviting her home for some of Amos' home made spaghetti and "something else" (fucking) McEldowney is surprisingly prudish when it comes to characters other than the main cast. So no.

You've got sluts, and you've got people with destined true love who fuck on table tops, and never the two shall overlap.

Anyway, the Anchorage Daily News dropped 9CL along with some other strips.

I'm still under threat of intervention, by the way, or this would be considerably longer.

Considerably.

Longer.

Good things about the strip though: Mary's body language and face in the first panel is excellent, Edda's predatory sexual body language and face in the final panel with Mary leaning back is kind of scary! Edda's going to EAT HER and Mary doesn't know it but SHE WILL LOVE IT. Lol jk Edda would never kiss a girl that's where cooties live.
brigid: (9CL)
[personal profile] brigid

2-20-2023

A friend of mine very literally threatened to throw an intervention so I'm going to keep this short.

It's weird to introduce yourself to a stranger with your full name, right? I met a bunch of people at a party a few weeks ago. None of us exchanged last names.

Mary seems to attend a lot of concerts. Very cultured. Very refined. She even recognizes Hugh somehow.

And I'm tickled by her "his... wife!?" thought balloon, like the idea that he's managed to trap someone in a marriage is so unbelievable, so surprising.

It's interesting that she states he accompanied a cellist, not was accompanied by a cellist. Xiulan was the focal point. I guess her very large pregnant stomach didn't interfere with playing the cello? I have no idea how that works.

Xiulan is wearing street clothes, a baggy turtleneck and loose jumper, to dance with her husband who is in a tuxedo. Formal gowns for pregnant people exist, and also she's a gazillionaire and can easily have all of her clothing custom made. But no, she made this sartorial choice.

And I guess her turning to the side after taking off her coat was meant to be a Big Reveal except 1) regular readers already know she's pregnant and 2) she looks pregnant from the front.

I've been pregnant and I cannot imagine a very pregnant person enthusiastically dancing the tango. Not as far along as she is, anyway. Pregnancy is exhausting, it changes your center of gravity, and it limits your mobility.

The only way to redeem this stretch of story is if this all acts as a means to re-introduce these characters to the strip, a sign that we're going to be seeing more characters doing stuff, more story telling, Edda and Amos actually interacting with other people. But, I mean, they didn't interact with these people at this event, they dipped before anyone else arrived so they could fuck. So I don't know if this is even possible.

I expect we'll see Isabel and Burkhardt next.
brigid: (9CL)
[personal profile] brigid

2-18-2023

"Now I know I've been missing a lot."

Ok.

So.

Mary has dated people.

Mary has been married twice.

Mary had an affair while married.

Mary has apparently never had sex?

Or maybe she's just never had dirty talk?

Or maybe she's just never dated a guy who'd be chill with her meeting up with friends and then rushing off to fuck without speaking to them personally, but talking out loud about how you're going to rush off and fuck?

Yeah, babe, I don't think you've missed out.

Anyway apparently Edda, Amos, Seth, Fernanda, Hugh, and possibly Xiulan arranged to meet in a public place.

Edda and Amos left before anyone else showed up. They got there and then they just left to go fuck. They didn't talk to anyone, they just left. To go fuck.

Seth showed up, waited for his wife, then took her to the dance floor. Yes, there was some performative making out, but arriving at a dance hall and then going to dance is pretty normal.

Hugh arrived and mentioned he was meeting them. For some reason he used their last names, Mr. and Mrs. Appleby, like she'd know who they are? So did Fernanda take Seth's last name? Is Hugh just making sexist assumptions about what her last name is? Why did Seth introduce her as "Fernanda Jons" and not just "Fernanda"? He introduced her as Fernanda Jons, is Jons her middle name? Is "Fernanda Jons" her name like "Beth Ann" is a name but we'd been using "Ann" as a surname? Is it actually common to meet strangers and tell them what your first AND last name is?

Anyway, Hugh arrived and mentioned he was meeting them there. Mary, recognizing the last name, told him they were dancing.

Hugh sat at the table and waited for his friends.

Seth and Fernanda announced they were going home to fuck. They aren't depicted saying anything to Hugh, including "hello." They just announce they're going to fuck, after one dance, and leave.

Hugh is left there with someone he doesn't know, ditched by his friends (who have gone off to fuck).

I would be so angry.

I would be so angry.

This man has a pregnant wife or an infant, as well as a demanding career that involves travel.

He took the time to clean up, put on a tux, and come to a location outside of his own home.

His friends absolutely ditched him.

His friends ditched him to fuck.

Even if Xiulan shows up his friends still ditched him (and her, if she does indeed show up).

This is so incredibly rude and selfish and unkind.

Just... a whole ass social outing where everyone else ditches you so they can have sex with their spouses with whom they live.

Just awful, awful people.
brigid: (9CL)
[personal profile] brigid

2-16-2023

Mary's dress (jewelry?) has changed and her hair has grown. Just how long has she been trapped here? Hell is truly other people, especially in 9 Chickweed Lane.

A big reason Mary wasn't attracted to Amos when they were in high school is that he was a fairly repellent person. He had poor social skills, poor personal hygiene, talked about the end of the world a lot, was quick to insult her, had a pretty big ego. He matured quite a bit since then, has become a pretty decent adult, but he was pretty gross for the entire time he was pursuing Mary. And I guess she's being punished for not seeing what a diamond in the rough he was.

And the latest person to do the punishing is Hugh Godalming, a man universally considered utterly repellent by everyone in Julliard with him except for his eventual wife Xiulan who fell in love with him because he plays piano so pretty - which is a bog standard feature with McEldowney. It doesn't matter how utterly vile someone is, as long as they Do An Art Well they're redeemed. Edda, and thus Amos and Seth and poor betrayed Mark put up with Hugh for Xiulan's sake but that really seems to be the only reason he has friends: because his wife has friends.

So that's Hugh, a man so disliked that classmates would leave the room when he entered it.

He's managed to Find True Love so let's rub Mary's face in her lack of same, eh?

One wonders who he's going to dance with: his massively pregnant wife? His wife who has quietly given birth to some unspecified number of children of some unspecified gender and is now as slim as she was pre-pregnancy? Someone else? Anyway, he's here to tell Mary all about his beloved wife at length, I'm sure.

The way Mary describes Seth and Fernanda's behavior, by the way, is the way that Edda has described sluts in the past. Only when Edda did it she was in the right to do so; Mary's just being a prude.

It's weird to see this group of friends shuffling on then off stage, by the way. Edda and Amos and Seth and Fernanda and Hugh are all friends... friends who apparently had plans to meet each other? But they aren't actually interacting. Edda and Amos danced and humped and then left. Seth appeared, then his female wife Fernanda, and they hump danced off stage left. Then Hugh came in. And none of them have overlapped with each other, spoken to each other, seen each other. This entire sequence is centered around Mary and how bad she is for not having a One True Destined Love and how they're awesome for having achieved that. They exist as props to demonstrate how Bad Mary is. They aren't even characters, they're props. They're devices.

Props and devices that have a reserved table I guess?
brigid: (9CL)
[personal profile] brigid

2-15-2023

Wow, Mary, you're missing SO MUCH!

If only you'd committed adultery with the RIGHT person you could be humping your way across a tango salon RIGHT NOW!
brigid: (9CL)
[personal profile] brigid

2-14-2023

"I'm a gay man, but I'm meeting my female wife here later."

"I'm not sure that's how "gay" typically works, my guy."

"Ah yes but I love her and by "love" I mean "worship." As one does. Describe what I love about her? Sorry, hard pass."

"Damn, you ALSO like to swing your wife around wildly making fuck eyes at each other in public?"

I didn't notice yesterday but she was so shocked that he's gay that her neckline changed. Or else she was wearing a choker that she removed?

Anyway, McEldowney has a really weird idea of what "love" is, as it's almost entirely both physical and worshipful.

What does Amos love about Edda? Other than her legs and her toe cleavage? January 29th, 2023 has a sweet strip that shows a non-physical way that Edda makes Amos feel: when he's down she brightens his mood, his life. He doesn't feel alone when he's with her (while that may sound weird, it's very possible to feel lonely or alone even when you're around a lot of people). But other than that we don't know that much about their relationship other than that they like to hump on table tops and atop musical instruments on stage, and they enjoy humping while tangoing. They share some common interests, but what do they like about each other? What do they talk about? How do they describe each other to other people? Let me tell you, there's a LOT that I could ramble on about that I like, that I love, about my husband. And I could talk your ear off about various friends and family members of mine that I love, too. It should be easy to say what you love about someone.

But McEldowney's lovers rarely say what they love about their paramours. Instead they recite words from a damp-paged thesaurus.

There's absolutely ways to say "Yes, I primarily am attracted to and fall in love with men but I love Fernanda because of X, Y, and Z reasons" that don't involve vague "weakness" phrasing.

The ONE WORD he uses to describe his feelings toward her isn't "love," it's "worship."

When folks talk about "worshiping" their loved ones it generally means they don't see the person as an actual person. They're projections. It's easy to love a projection. A statue teetering up on a pedestal doesn't leave dirty socks on the floor or chew too loudly or leave clean dishes in the dish washer instead of just putting them away. That statue doesn't leave hairs in the sink or run late every morning. That statue is at constant risk of crashing down.

Seth was initially attracted to Fernanda because of her dancing. That's what he claimed, at any rate: it wasn't HER, it was the way she expressed her art. He is also a dancer, they were fellow professionals at the top of their game. They shared something in common not just in general but every single day when they practiced and when they performed. They shared a pool of friends. Seth and Edda showed Fernanda around the city and spent time with her as a very passive aggressive way of getting back at her for being a homophobic asshole to Seth previously. (This paid off by her continuing to be a homophobic asshole to people, especially Mark.)

Fernanda injured her knee and can no longer dance, at least professionally. Her ballet career is ended, although we haven't heard that Seth has retired. If he was attracted to her ART then what attracts her to him now that she's no longer capable of expressing that art? And frankly, how does she feel that her dance career was cut short while his is still apparently going strong?

Now, I'm 100% sure that "my ballet career is over, I'm hobbled for life, I will never dance or walk the same ever again" for Fernanda is a hundred thousand times more athletic and graceful than I've ever been ever in my entire life including when I was dancing competitively. Of course Fernanda can dance the tango in ways I can only ever dream of... hell, in ways so far beyond me that I can't even dream of them.

But she's not the pure distillation of art any more.

What does Seth do with her other than worship her and engage in sexual behavior in public?

Anyway, I don't know if Mary's "Wow!" is a reaction to Seth stating that he worships his wife or if it's a reaction to how hot she finds Fernanda but I'm sure we'll find out as this drags on and ever on. It's only Tuesday. What other man can still wander in and reject her?
brigid: (9CL)
[personal profile] brigid
February 14th, tomorrow, is Valentine's Day and instead of showing us something sweet and romantic with an established couple McEldowney is just heaping abuse on single Mary, who no man wants to touch with a twelve foot pole.

That sure is a choice, man.

Chin Hands

Feb. 13th, 2023 08:48 pm
brigid: (9CL)
[personal profile] brigid

2-13-2023

I don't remember if Edda and Amos were living together when Mary visited her. I do know that Edda was worried that Amos would see Mary and fall in love with her all over again. Either Mary stayed with Edda and Amos at their place, and also met Seth while visiting him at his place, or else Mary stayed with Edda and Seth and spent several days in Seth's home.

In theory, she would have shared at least one meal with Seth and had a fair amount of conversation. And surely Edda would have mentioned that Seth was her dancing partner and room mate, and would have also mentioned if she'd ever dated Seth. And she also would have mentioned (no doubt repeatedly) that she and Amos were together.

Because unless I'm remembering very wrong Mary didn't just visit for a day. She stayed with Edda. It was multiple days. Edda not mentioning being in a relationship with Amos, Edda not clarifying her relationship with Seth, doesn't make sense.

Seth's opening bit of conversation is helpful to people who aren't long term readers/aren't unhealthily obsessed with this comic. It establishes that they know each other, it establishes how they know each other.

I guess Mary's question establishes that Edda and Seth never dated but I don't know... that that... needs to be established. I also don't know why Seth plays coy pretending he doesn't know what "an item" means unless he's just... steering the conversation back toward reality (she stayed with him and Edda, she should know their relationships).

It's, I don't know, interesting-I-guess that he identifies as "gay" while also being married to a homophobic asshole of a woman who was unrelentingly cruel (and homophobic) to his then-boyfriend. It's verging on "homosexuality is a CHOICE" for me. I wouldn't be as wary of his personal label if he hadn't cheated on his live-in boyfriend with a woman; gotten engaged to that woman while still living with a man who though they were still dating; continued being engaged to a woman who was cruel and abusive toward his recent ex; married a homophobic dickbag of a woman; refused to ever talk to his recently-dumped long term live-in boyfriend over all of this AND if this entire story line hadn't kicked off June 1st. Happy Pride Month, everyone!

Seth has an established pattern of qualifying his gaity with the fact that he has been attracted to women in the past but he's far more attracted to men. The "far more attracted to men" thing is why he never put the moves on Edda (until they put the moves on each other? it was baffling??). Which really kind of... makes it feel even more like "gay is a choice," you know? He chose to be gay then he chose to have wild sex in a bath tub with a hot homophobic Argentinian ballet dancer and get married to her (with neither of their families attending for some reason).

So.

He's established himself as gay to her along with a snarky little comment, like he's trying to hold back her slutty slut ways and keep her from rubbing slut all over him. But... why? Unless Edda called him previously and asked him to come intervene instead of just like... leaving? Unless Edda called him at some point to complain about her slutty slut ex friend who tried to seduce her husband by asking for his autograph and then trying to dance with him at a public place where people gather to dance together?

And the judgement in that statement! "I see you're up to speed on what "gay" means, unlike Edda who was constantly groping me and propositioning me."

And Seth, who just introduced himself to her as a big ol' gay, is at a tango salon... why? Just who is his dance partner and how shockmazed and humiliated will Mary be when sexy sexy ballet dancer cis woman Fernanda Jons swivels her way in?

Mary, if only you were woman enough then you too could have seduced a pasty music nerd with poor hygiene OR a gay ballet man.

Sadly you're just a single adulterer destined to be forever alone... as every single person in this strip is apparently eager to demonstrate.

Some people have made fun of Mary's position in the second panel, the hand thing she's doing. She'd been resting her chin on the backs of her linked hands previously, though, and it's a pretty typical gobsmacked exaggerated motion. Like she'd been leaning forward, cleavage on display, then sat up straight. From Chin Hands to Appalled. It would work better if her previous position had been illustrated more clearly. What's more concerning is the way they're just kind of like bobbing about unmoored to any kind of physical constraint like "height" or "distance from each other" or "distance from the table" or "existence of the table."
brigid: (9CL)
[personal profile] brigid

2-11-2023

I don't know how something that was already mortifying hours ago can go on to turn into a "a first-rate embarrassment."

It's very polite of Seth to announce his full name so that the audience can recognize him as opposed to all the other beef headed hulks who aren't Amos that McEldowney populates the strip with.

That said, just cannot wait for more humiliations for Mary.

Is she based on a real person, and did that person do something to McEldowney recently?
brigid: (9CL)
[personal profile] brigid

2-10-2023

Is there a reason you shouldn't ask to cut in?

Is there a reason you should?

Amos doesn't remember you and Edda has been insulting you this entire time. Why would you want to cut in?

Anyway, it's probably for the best you haven't cut it... Amos just broke Edda's back, thus needing to carry her off.

Some folks have been talking about them having a threesome but that's not going to happen, McEldowney has some pretty glaring sexual hangups and a big ol' slutty adulterous slut like Mary is never going to grace the bed of these two destined pure lovebirds.

Art wise... Mary's legs are too short which is surprising given McEldowney's usual focus on legs. Her arms, meanwhile, are terrifyingly too long. Should I create an egregiously bad art tag? I don't know.
brigid: (9CL)
[personal profile] brigid

2-09-2023

Note how Edda's gown is both utterly skin tight, clinging to her and highlighting her curves and also extremely voluminous and billowing with every move while still clinging to her buttocks.

I'm not EXACTLY sure what's going on w/Mary's skirt there. It's got a double slit, one on each side? One side slit but she worms her legs around so it slithers over the forward facing thigh as she walks? Like is she just wearing a really long loin cloth here? Is that her dress situation? A slit up her skirt on each side with the material in the center trapped between her thighs as she wriggles her way painfully across the floor? How is she MOVING? And why doesn't she know enough to maintain a distance from dancers?

Edda and Amos flail wildly as they dance, Amos swinging Edda around and throwing her into the air only to catch her and toss her backwards etc. Really they should be swing dancing or something, but there's no sexy accordions with swing dancing as far as I know.It must be deeply, deeply unpleasant for everyone else there. Just... these two humping on a piano then careening wildly around the room legs and dress akimbo before they start humping on a chair.

How many tango salons do you think they've been banned from?

And how would Mary know they're there? She slumped off, defeated, the last time we saw her (ok, time before last). Then these two donned evening wear and went, alone, to a tango salon. She doesn't know any of their friends!t's not like she can ring up Seth and be all "Hello, my fellow adulterer. Do you know where Amos, a married man with twin children who makes his living as a cellist, spends his evenings? Because obviously it's not at home with his small children!"

McEldowney tries to have it both ways w/Amos. He is an absent minded dork with poor social skills who is extremely literal in ways that many people find baffling if not insulting, skinny and chinless and balding, and also so appealing that multiple women have tried to seduce him.Isabel Florin, famously sexy slut and amazing pianist; Xiulan Goldaming (nee Yuan), unbelievably wealthy Chinese woman and amazing cellist; Mary Rosenzweig, childhood crush and flautist.

These beautiful women have all attempted to seduce him WHILE HE WAS IN A RELATIONSHIP.

In a relationship, I might add, with an incredibly beautiful and graceful accomplished young woman who speaks French, was a professional ballet dancer with an elite ballet corp, was a professional model, plays piano at a professional level based only on private music lessons as a kid and a lot of practice, plays viola, & I'm sure there's more I'm forgetting.

I mention the private music lessons because Amos didn't just major in music. The gifted motherfucker went to Julliard. He plays multiple instruments, he composes, he orchestrates, he conducts, he does EVERYTHING. He STUDIED this shit. He lives and breathes music. Edda took lessons a few times a week and banged around on a piano in her home when she felt like it, and she's somehow on par with him, and with his intensely-trained highly educated peers.

I get it, I get it. Amos is a self-insert, a dorky nerd who is appealing to women somehow. (It's me, I'd find him appealing in real life. My husband monologued about Sauron for 1/2 an hour last night.) But yet another installment of "a hot chick throws her dripping wet panties at Amos while Edda frowns disapprovingly and then humiliates her somehow" is pretty boring. And insecure.

And the worst thing about this strip... the absolute WORST thing about this strip... is that a sultry lady slinking panel by panel toward the viewer and then being thrown awkwardly off balance should be funny! But it's done so poorly here that it's not!!!

What would have made this funny is if the thing that threw her off balance was a completely different dancing couple and one of them was dipped so Mary was avoiding their HEAD or maybe an extended arm, not a kicking leg. Like she's so focused on slinking toward someone that she doesn't notice the chaos around her and said chaos interrupts her slinking but not in a, like, VIOLENT way. And the dancers DO NOT NOTICE HER AT ALL. She's not in their world. She's just another person. That would, yes, require drawing other dancers and perhaps hinting at the existence of a back wall or something. Maybe one of those sexy, sexy accordion players (NOTE: accordion players are pretty sexy people based on the accordion players I know. Charming and funny, too).

It would also not involve what looks like a direct attack from Edda.

Again, I'm REALLY hoping that Mary is there to see someone else because dang it doesn't make sense for her to be there on Amos'. We've already established it doesn't make sense to pursue Amos. He's married, he's happily married, he has no interest in her, Edda was her best friend who treated her decently enough (except for never telling Amos to stop stalking her).

Some people might be holding out for a thruple here, but given how uptight McEldowney is about people having the wrong kind of sex (it has to EITHER be IN WEDLOCK or between two heterosexual people DESTINED TO BE TOGETHER) it's not going to happen. Given the contempt Edda feels for most women it's absolutely not going to happen.
brigid: (9CL)
[personal profile] brigid

2-8-2023



I just... I mean. I'm not even going to discuss Edda's anatomy here.

Ok, that's a lie, I am. Look at her. LOOK at her.

Her pelvis has to be like two feet wide for her hips, and thus thighs, to be that far apart.

Amos is holding her up by one thigh and her hand, or else she's actively launching herself groin-first at him?

The way her waist is twisted, and the length of her torso?

Professional artist and comic-strip-er David Willis broke her leg issues down on Twitter.

Anyway, one of the big issues with not having any backgrounds while also having poor pacing is that it looks like Mary is in her bedroom or some sort of sitting room or maybe she's powdering her nose in a fancy bathroom? And then she leaves that room and will enter the room that Amos and Edda are alone in. The empty vacant room that's attached to the room she was in previously.

McEldowney could have given her any hairstyle, any hairstyle at all. It's been ten years since we've seen her. She could have grown her hair out. She could have curled it. She could have gotten an undercut. She could have bleached or dyed it. Instead her hair has remained essentially the same except now she's "styled" it to look like Mark's or Janice's, or like Isabel's hair but straight and spiky instead of curly.

What I would love - what I would absolutely love - is for Mary to just be goth, you know? She just so happens to be at the same tango salon meeting someone else. Edda has some kind of confrontation only to be shot down by the fact that Mary doesn't actually plan her life around Amos and Edda. Like Mary enters, Edda marches over and starts lecturing her, someone intervenes and asks Mary if she's ok and they go off together.

But that won't happen.

Not when there's a chance to further humiliate Mary, I guess.

Is it worth making a tag for broken anatomy?
brigid: (9CL)
[personal profile] brigid

2-4-2023

He saw her front constantly.

He saw her front as she spoke to Edda.

He saw her front as she spoke to him.

He saw her front as she asked him over and over and over to stop stalking her.

He saw her front as she asked him to get up off the ground so she could walk to where she was going without having to step over him.

He saw her front as she politely invited him to join her youth orchestra (he declined).

He saw her front as he, an adult with an engagement ring for Edda in his pocket, informed Mary that she was the only person that he'd ever loved.

He saw her front when she, an adult, stayed him Amos and Edda in their apartment during a visit to New York.

He saw her front constantly.
brigid: (9CL)
[personal profile] brigid

2-3-2023

Yeah, McEldowney brought Mary back specifically to humiliate her.

As one does.

I wanted a story line that didn't involve people fucking in public or children discussing sexual stuff and this is what McEldowney put out.

Somewhere a monkey's paw has one less finger raised.
brigid: (9CL)
[personal profile] brigid

2-2-2023

"Amos, here is someone that you know."

"Oh wow, this person is trying to get your attention!"

"Amos, I am a person that you know and I am trying to get YOUR attention."

"Well, I'm not going to respond in any way or acknowledge you, but I am going to mention how embarrassing this is."

Sometimes people want to hug you and you don't want to be hugged and that's fine. But you can stand there and stare at them, or you can tell them that you're not a person who hugs. You can deflect the hug to a handshake or a wave. Just standing there staring at someone greeting you is a real dick move. He hasn't even said hello to her yet. Even if he doesn't recognize her somehow, one of the baselines for civility is to respond when someone greets you. He hasn't done that. Even when she addressed him directly he hasn't responded to her. Instead he's uttered two asides to Edda. It's coming across as him actively snubbing her, giving her the cut direct.

The best read of this is that Amos doesn't recognize her and is embarrassed by his lack of recognition of someone who obviously knows who he is. Edda not only refuses to clarify who this person is, which leaves Amos feeling shame and embarrassment, she's also enjoying Mary's discomfort and embarrassment. She's leaving both people to twist in the wind, feeling embarrassed, so she can feel superior to Mary over... having married Amos ten years ago, or however many it was, after having dated him for even longer.

This is the second time McEldowney has dug up a very minor character who hadn't been seen in a decade real-time, not in-strip-time, to have other characters treat them like shit.

The biggest example, of course, is when McEldowney reintroduced Mark solely so Seth could cheat on him, marry a woman without telling Mark he'd been fucking someone else and gotten engaged while still living with Mark and then painted Mark as the bad person who was acting irrationally about his live-in LONG-term boyfriend cheating on him, getting engaged without telling him, marrying someone else, and refusing entirely to talk about it. Ever. That someone, by the way, is a homophobic bigot who has done nothing but insult Mark both generally and also specifically because he's not masculine and/or straight. Everyone in the strip treated Mark like a real buzzkill who was over reacting.

Again, his long term live-in boyfriend was actively living with him and sharing his bed while also fucking somebody else - somebody who'd regularly verbally abused him and with whom Seth had already cheated on him with. His long term live-in boyfriend was actively living with him and sharing his bed when he got engaged to this person. His ex boyfriend, who he'd been dating for twenty years and with whom he'd lived for some amount of time we'll never know, who shared a bed with him, refused to discuss ANY of this with him and verbally abused him when he tried. And everyone apparently agreed this was... normal behavior, this is how you treat someone you've been with for twenty years, this is how you treat someone who loves you, this is how you treat someone who shares your bed.

There was absolutely no reason for McEldowney to bring Mark back as a character. Seth could very easily have been single, or only dating people casually. The only reason to bring him back was to be cruel, and to have all the other characters reinforce that cruelty as normal and correct.

That story line, which kicked off on June 1st (Pride month), culminated in a hot woman triumphing over a gay man, claiming Seth as her own. This current story line apparently is about Edda triumphing over Mary, someone who has been entirely irrelevant for a good decade now.

I want to restate this: Mary is entirely irrelevant.

Edda's kids are somewhere between the ages of 6 and 10, maybe slightly younger if they're extra precocious. Mary apparently didn't know Edda had had kids. The pregnancy was high risk and Edda was in the hospital toward the end of it. Mary did not know that Edda's pregnancy could have killed her.. Nobody invited Mary to Edda's baby shower (assuming she had one? none was shown). Mary has not spoken to Edda or anyone in her family for at least six years. At least. Mary has been married, and divorced, twice. Edda has not gone to either wedding, apparently did not know that she'd been married at all.

"How have you been?"

"Well, I've been married and divorced twice."

That's what you say to someone you haven't seen in years. The more recently you've seen someone the more immediate the news is. "I got a promotion last year!" "I paid off my student loans five months ago!" "Frank signed the paperwork for our divorce. At last!" "I finally tried that sandwich shop last week!" "OH MY GOD you will not BELIEVE what new bullshit is going on at work!"

Edda is gloating at someone over something that happened over a decade ago. Edda is letting someone suffer social indignities over a ship that sailed over a decade ago. Amos very clearly has no interest in Mary. Amos very clearly is massively invested in his life with Edda, their daughters, and their career. Mary is in no way a threat and frankly never was. But McEldowney brought her back so we can see how Edda is better than her, and by "better than her" I mean small and petty and vindictive.

This is weird. This is weird behavior. Mary's going to go home and tell this story and people are going to laugh at how weird it was, but Mary won't be the butt of the joke. Her weird-ass musician friends who are still heavily invested in the social dynamics of 11th grade will be, though, and rightfully so.
brigid: (9CL)
[personal profile] brigid

02-01-2023

I know that "being a little oblivious" is one of Amos' THINGS but when your wife says "look who's here" that means that she knows that a person is there, knows who the person is, and is directing your attention to the person so you can greet the person.

Recoiling from the person so indicated and stating that the person who has been explicitly pointed out is "beckoning" to your wife is just... that moves beyond "wacky hi-jinks" to "dude what the fuck." It's "have you suffered some form of brain injury" territory and I don't mean that in a lazy insult way, I mean that this behavior is so utterly weird that something very wrong is going on with his thinking. This isn't "absent minded musician," this is "person who does not know how human beings act." It's not even a social nicety, like someone being uncomfortable with small talk or not knowing how to respond to "how are you" from a coworker. It's "look, there's someone you know, she's standing right there, look at her" "OH MY GOD A PERSON! DO YOU KNOW THIS PERSON? SHE'S EXISTING AT ME."

When Isabel Florin came on to him at her apartment and suggested it would be nice to change into comfortable clothing and slipped away to change into silk pajamas and he went home and changed into his own pajamas and got into bed... that made sense for his character and was kind of funny. He is, again, a little oblivious and also can be extremely literal. But this isn't that.

Amos was obsessed with Mary, and I mean obsessed. He followed her around, sometimes with binoculars. She told him repeatedly to stop, to leave her alone, that his attentions weren't wanted. Edda, who was Amos' best friend, knew this was going on because she and Mary were best friends. Edda knew this distressed Mary and never told Amos to stop.

As an adult, Amos has had encounters with Mary, including one where he called her up to discuss how much he'd loved her only to projectile vomit at the idea of actually having a relationship with her. Later, Mary visits New York and stays with them in their apartment. Edda worries that Amos will see Mary and become obsessed with her. That doesn't happen.

So not only did Amos have at least 3 years of obsessively stalking Mary he's encountered her at least twice as an adult and... doesn't recognize her?

Again, this feels like McEldowney needing to give Edda some kind of "win" over a romantic/sexual rival and dredging up Mary yet again, a character we haven't seen in a decade, to show off the fact that Amos "chose" Edda and they got married. And part of this win is trashing Mary's character while also showing how insignificant she is.

Art wise, there's far too much room between them in the second panel for Mary to be going in for a hug that expansive. It looks like she's advancing upon him, arms spread wide, ready to hoist him up like a barrel. And why is she standing so far away from the two of them in the first panel? Amos walked up to them, unless Edda was already walking away from Mary and bumped into Amos. That's not how far apart you stand when you're catching up with someone unless you're following Covid protocol.

It's also not great that they're in a white void. People rag on voidcomics all the time, call them lazy, etc. But if you've got talking heads you don't always need an ornate background. I spend an awful lot of my life against a flat colored wall of some kind or another. But this strip needs at the very least an establishing shot. Are they outside? Has Amos just come home and hasn't removed his overcoat? Was Amos meeting Edda someplace and Mary just happened upon Edda randomly? They're unmoored in time and place.

Also Mary is wearing a v-neck sweater (sweatshirt?) over a turtleneck sweater paired with a miniskirt and low-heeled pumps and I am BEGGING this man to look at the kind of clothing women actually wear. PLEASE.

(In another strip his recoil and boggled face would indicate that he and Mary have been seeing each other and he's trying to hide it while feeling guilty. Nope.)
brigid: (9CL)
[personal profile] brigid

1-31-2023

Alright. We have more of Edda and Mary.

Mary was Edda's best female friend in grade school and high school. She and Amos vied for primary best friend role. Not, you know, not directly - they didn't actually compete for the role - but Edda treated one with more respect than the other here and there. Edda and Mary took dance lessons, including ballet, together. Mary also plays the flute. I don't know if they've performed together, but it's another thing they have in common.

One thing that young Edda did NOT do was EVER tell Amos to stop actively stop stalking Mary, something that Mary actively, repeatedly, consistently stated that she did not welcome and that she wanted to end. This despite how much influence Edda had with Amos. Amos' stalking of Mary pretty much only ended when he and Edda became involved and he left for Julliard.

Edda and Mary went their separate ways when Edda left school early to join the Ballet Corp in New York City. They apparently stayed loosely in touch for a while because at one point Mary came to NY and stayed with Edda and Amos in their apartment while she was in town. Edda was worried that Amos would be distracted and want to bone Mary, while Amos claimed to not remember who Mary even was.

Other than that brief trip, however, we haven't seen them interacting. It hasn't even been hinted at. In yesterday's strip we see that Mary didn't even know that she'd had children, a high risk pregnancy that involved a hospital stay and rushed surgery. She didn't know what Edda did for a living. And Edda somehow doesn't know that Mary has been married not once but twice. She didn't get invitations to any weddings? It feels like Edda is recreating the relationship that Juliette has with her gal pal Rosie, who she apparently only ever speaks to (via phone) when she wants to feel better about herself by bragging and feeling Rosie's jealousy.

I want to pause a moment here, I want to point out that Amos contacted Mary before he and Edda got engaged. He wasn't sure if he actually loved Edda. The only person he'd ever felt besotted over had been Mary, so he called her up. They agreed to meet. He suggested they date. She agreed. He projectile vomited. They each accused the other of betraying Edda (he for suggesting it, her for agreeing to it). Amid the vomit, Amos decided that he actually was in love with Edda after all.

One more thing to point out: Edda's dad ruined her life by generally being a self absorbed asshole but specifically by cheating on her mom (and her) numerous times. Edda is understandably traumatized by this, even if her reactions in general are a little extreme at times. Is "ruined her life" really accurate when she grew up in a supportive, loving home with a stable parent? When she never had to worry about having enough to eat, about payments for utilities, about losing her car or her home? When she had access to a high quality private education, foreign language classes, ballet and other dance classes, piano and viola instruction, judo classes? Maybe "ruined her life" isn't accurate but he did fuck her up pretty badly.

Now that I've poured out that little infodump let's discuss this strip.

1) They're relatively young for Mary to have been married and divorced twice. It absolutely happens! But it comes across as, I don't know, Mary getting hitched really young the first time; as something she rushed in to without much thought.

2) Mary reveals that her first spouse had two affairs, which really sucks. That's a bad thing to go through. And with her second marriage it was Mary who had the affair. And that's interesting, you know? Is she just an affair person, and her first husband simply beat her two it? Did she have her own affair because she was insecure or afraid? Was she married when Amos made his little proposal? I don't remember, although she WAS in a relationship, I believe. But this takes her from "victim" or "prey" to "predator." We see that as the revelation that she had an affair segues directly into her asking after Amos... her former best friend's husband. Ordinarily it would be a pretty innocuous question. In this case, though, it's apparently a way to scent around for clues that he's eager to put his dick anywhere he can. And the WORDING! "My first husband had two affairs... and with the second I had one." That's not how people talk! "My first husband had two affairs... but I'm the one who had the affair in my second marriage." That's how people talk! And it should be said over two panels!

3) Edda jumps to that conclusion, at least, when she states that he's "affair proof." Frankly, if I was catching up with an old friend and she responds to me asking about her husband with "lol he won't fuck you" I'd be, you know, a little offended. But hey. Edda may fuck on top of tables in diners, and may engage in a little consensual toe fucking on a city sidewalk in front of numerous lookers-on, but she draws the line at someone thinking about her husband's boner.

4) "It's always best not to look disappointed when you're told that" is a long and tortured way of saying "oh, don't look so disappointed," an actual thing that actual humans might say. And, again, this is either a pretty big leap on Edda's part concerning a mild inquiry about her spouse and thus a pretty big insult to Mary OR Mary's a gross weirdo Edda should walk away from permanently.

This strip illustrates 2 core dynamics of the comic, namely:

1) Edda has no real friends. She has Xiulan, who we rarely see actually talking to or interacting with any more; and she has Seth, who she objectifies and is weird about. We know that Seth (and Mark?) babysits her kids but we RARELY see any actual interactions. Edda orbits Amos and that's it. To be fair, he orbits her with no other stars in his galaxy. But Edda seems to really be replicating her mother's social dynamic: isolated, no friends outside of her immediate family. Fernanda Jons popped up, fucked Seth on sidewalks and in bath tubs, married him, and then vanished without any actual real interactions with Edda... certainly none that continued long term.

2) Amos is the height of masculine sexiness for women. Sure, there's a lot of weirdly lumpy hunks the women go apeshit over, but Amos is like... the ideal. The two other male musicians we see, his peers, are fairly repulsive to most people. Violist Burkhardt Kriegl is a weird womanizing piece of crap who emotionally manipulates women and has no friends other than his lover (?) the pianist Isabel Florin. Pianist Hugh Portwhistle Godalming is completely lacking in social graces and utterly oblivious to the contempt his peers hold him in. Edda and Amos like him or at least put up with him because they're friends with his wife Xiulan. Isabel and Xiulan are two of the women who were constantly throwing themselves at Amos with absolutely no encouragement on his part.

These past two strips both have a "punchline" of Edda triumphing over Mary where Amos is concerned. But it's coming completely out of left field. There's been no discussion of Mary, no discussion WITH Mary. Nobody's been reminiscing about The Good Old Days when Amos stalked Mary. I mean... McEldowney has dragged us down an interminable amount of flashbacks regarding Edda and Amos discussing fucking as small children but Mary hasn't featured in any of them. There's been absolutely no reason at all for Edda to have even the slightest bit of concern over Amos' fidelity; no risk whatsoever to their marriage; no threat to her perched atop the ivory throne on which he's stationed her.

In January we jumped from that uncomfortable "we're going to conceive ALL the babies/the hokey pokey is our fuck song" flash back to a story line about Edda and Amos fucking while playing music to two comics about Amos' underpants and then a scraggly handful of things where they kind of sort of interacted with their kids to... this. Mary as a defeated rival just out of nowhere. It doesn't make narrative sense.

And artistically can we discuss what's happening? It's three panels of talking heads and one panel of talking legs. They might as well be sitting on a couch in front of a tv while playing video games, a sentient air fryer lurking in the background waiting to spout a "yo mama" joke or say something about boobs. These two could be doing ANYTHING. They could be ANYWHERE. They could have run into each other at a bus stop, people and buses coming and going around them as they take a moment to catch up. They could be at a diner, fiddling with food/drinks to indicate their emotional state. They could be at a gym where Edda dances/leads a class and Mary does yoga and they each didn't realize how geographically close they were to each other. They could be sitting in a doctor's waiting room where Edda is waiting to confirm/deny/check on her potential pregnancy which was brought up months ago, while Mary is also waiting for same or to start/continue infertility treatments. They could have run into each other at the park, Edda with her kids and Mary with a dog. They could have run into each other at a park, Edda in a damp sweat suit as she jogs to stay in shape/because she likes moving and Mary in a business suit as she eats lunch out in nature between clients because she's a hard working attorney with almost no time to herself.

Instead they're strolling around some indistinct void dressed like they share a closet infodumping about themselves to the other.

Personally? I'd set this in a diner. Not the one Edda et al go to fuck in.

P1: They're sitting down. Edda asks how Mary's been. Married twice, divorced twice.

P2: They're facing each other. Mary states that her husband had two affairs in her first marriage.

P3: Instead of legs the camera focuses on the table, their hands. Or at least on Mary's hands. She's fidgeting with something, uncomfortable. She's the one who had the affair in the second marriage.

P4: Back to faces. "How's Amos?" "Affair-proof" as an answer I guess. It's a bad answer. It really is. It's a bad response. "Try not to look disappointed" is worse.

Ending it with just "How's Amos" is strong, though. It's a question that can go manyways: is she asking because she's interested in an affair with him and is foolish enough to display her hand to his wife? Is she asking because she's worried that he's having an affair because that's how men are? Is she asking because she's pretty sure Amos is faithful and she's a little wistful about the solid marriage that Edda and Amos have? Is she asking as a way of changing the subject? Is she asking because that's a normal thing to ask someone?

McEldowney treats Mary as a slut, though. She's a gross icky sex-haver who wants to have sex with Amos and is an adulterer and wants to adulterize with Amos. It's so blatant and so judgemental and he brought her back specifically for this I guess. Edda and Mary could be having a lovely get together where they catch up and we see character growth for both of them. It could even be unlovely in that they disagree about things or get into a fight, but still stem from and further develop their characters.Instead we just get "here's Mary. Remember her? She's a ho."

It's so lazy.
brigid: (9CL)
[personal profile] brigid

1-30-2023

This should have been at least two strips.

What we have right here is:

Edda and Mary run into each other by accident? They're meeting as planned?

Edda gives a quick infodump about her life.

Mary makes one of the most convoluted statements it's possible to make, humans just... don't talk like this. Anyway, she basically asks Edda to brag about Amos.

Edda... recognizes that Amos could have wound up with Mary?

Edda and Mary used to be best friends. They had a long history that included Amos being obsessed with her in high school, and later as adults Amos turned to her and proposed essentially an affair as he was trying to figure out if he was actually in love with Edda or not. He said "let's do it," she said "ok," he began projectile vomiting from stress.

Will either Mary or Edda bring this up? Is that the "road not taken" reference? Or is it a general "you snooze you lose" type thing? Amos, I want to reiterate, was a gross stalker in high school. He was a real late bloomer.

Anyway, this really should have been at least two strips and hopefully we'll see more of this. What HAS Mary been up to? How HAS she been? REALLY? Because right now she exists solely as a narrative device for an infodump and to, I guess, talk about how desirable Amos is?

Imagine this whole thing with room to breathe.

1) The two meet up and embrace in a way that doesn't look like they are about to, or have just finished, a tongue kissing session. Edda asks Mary how she is. Mary answers in a way that indicates the two have been in regular communication.

2) Mary asks Edda how she is, and Edda talks about having kids and what she and Amos do for a loving. Not "oh by the way I have twins," because the two of them have been in contact at least once over the last five years. No, she mentions something specific about her kids/parenting.

3) They both talk a little more about their lives. Again, it's them catching over about the past few months - not years. They're still friends. They still talk. They're adults but still are in each others' lives. Edda has female friends other than Xiulan.

4) As they're parting ways Mary ponders life with Amos. Edda can get off some kind of bon mot about roads not taken or two roads diverging in a wood or whatever.

5) Edda goes home where she greets her husband and children. It's just... a domestic/family thing.

The strip as-is feels very rushed, crammed.

It's only Monday, we might see more of them talking. I don't know. I hope we do. But this strip is just so clunky.

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