brigid: (9CL)
[personal profile] brigid

2-7-2023


Oh man, this has it all:
Edda humping a piano
Edda in a skin tight evening gown
Edda's bare leg
Amos looking dapper, playing a musical instrument
Edda talking floridly of sex
Amos talking floridly of sex
Tango/Bandoneon

All that's missing is an audience made up of people fucking on top of tables while small children provide commentary.

Anyway, I'm sure it's meant to be romantic/sweet/sexy that Amos is casually saying he'd cheat on his wife with Edda were he to have wedded someone else but it's actually kind of gross ... especially given just how much adultery is complete anathema to Edda. Well, when other people partake in it, I guess.

It's rich saying she's never thought of him as "so sinful" when this motherfucker spent a week licking her feet on a New York sidewalk in front of passers by. If that's not sin then I don't know what is.
brigid: (9CL)
[personal profile] brigid

1-21-2023

"Da Capo" means "repeat this bit" or "start again," often "start again from the beginning."

"Porte-jarretelles" is a garter belt.

"Start over, wearing a garter belt.

This, again, isn't surreal.

At all.

Even if these were two average random musicians it wouldn't be surreal.

It's literally an excuse to show a woman in a negligee of a formal gown with a garter belt on her exposed thigh. She might as well be in lingerie. Amos, of course, isn't wearing a garter belt. He's not wearing short-shorts with his sexy gams on display. Both of them with exposed, be-gartered legs would at least be INTERESTING and a break from the norm (of predominantly seeing exposed lady-legs).

And once more this isn't surreal because they do this constantly it's their daily behavior all they do is hump on pianos.

I appreciate that McEldowney has been playing with more expressive poses and body language. That flourish with her arm in the first panel? They both look more animated than they have in a while. That said, both her butt and her chest are not drawn great. Her sit-upon in the first panel looks like someone crafted her bum out of a ball of clay and gave up smoothing it out halfway through. It's just a round lump. And her chest? McEldowney's been drawing her boobs a lot more often lately but he doesn't draw them well. He's got like... one good boob and one boob melting off to the side.

I just... really want a return to non-public-fucking story lines and character inter-actions. He has SO MANY characters who, in theory, are doing interesting things. A ballet dancer! Who has wanted children for decades! His former professional ballet star wife who's been injured badly enough she can no longer dance professionally and now teaches! A famous prodigy pianist who's a huge self-absorbed asshole and is about to be a dad! A famous super-wealthy Chinese cello player from Hong Kong who's about to give birth! A country vet wants to have a child with her massive poet-scholar husband! A former nun and her former priest husband have 10 or so children are about due to have another one! Gosh a lot of this strip centers around women getting pregnant/wanting to get pregnant/having kids they barely interact with (in some cases not even remembering their names)!

I want so much to see Edda and Amos actively parenting in the way that human beings actively parent. I want to see their kids interact with other kids and I want to see them interacting with other parents. There is so much low hanging fruit! It's so low hanging that it's on the ground! You can't walk without tripping over it! And yet! AND YET.

Gosh, this went long.

Anyway, the ultimate punchline to this week was "Edda was wearing a sexy garter belt this entire time, surprise!"
brigid: (9CL)
[personal profile] brigid

1-20-2023

Ok, so...

This isn't a depiction of them getting sexy.

I appreciate that.

I do.

But this isn't surreal.

This is a pun.
brigid: (9CL)
[personal profile] brigid

1-19-2023

And, I mean, unless I'm missing something here the "joke" is that they're dressed in formal clothing playing classical music and pausing to make out open-mouthed.

It's boring to just repeat the same thing every day but... they do this all the time. This is their daily life. How is this surreal when it's what they do constantly? Are they themselves surreal? Is McEldowney realizing the absurdity of their days, their careers, the voids in which they live? Is this some sort of fourth wall breaking meta-commentary?

Or does he just like drawing them fucking at concerts?
brigid: (9CL)
[personal profile] brigid

1-18-2023

The problem with McEldowney's examples of musical interpretation as "surreal" is that this is how these two are all the time.

The fermata (the boob looking thing they're both pondering) is regularly interpreted by characters in this strip as "pause." As in "pause here and let's fuck." It can also mean "sustain the note" or "this is the end of the song, stop playing."

The previous two examples of "surrealities" are "pound on the piano keys then make out" and "pound on the piano keys" and both are, again, what these two do all the time. Edda lying on top of a grand piano in an evening gown and reaching behind/beneath her to strike a single key while Amos gazes at her is a daily occurrence for them.

And one really must ask where they're doing this.

Because they are dressed up in evening wear against a white void and absolutely just fucking around. This isn't a concert. This can't be a concert. Can it? Is this how they warm up before a concert? Is there a large audience behind a curtain eagerly awaiting an evening of Mahler and Dvorák? Where do they have practice space? Are they at home? Is their home large enough to hold a grand piano or two? Do they regularly don formal wear and retire to the music room to play a few bars of music then hump on top of the piano?

This once again brings me to the assumption that these two arrogant snobs who regularly mangle the English language so they can sound more smarter and who can afford constant beach vacations are indeed working musicians... but it's sexual performance art catering to specific kinks. That has to be it. Right? It's that or a previously unmentioned trust fund. It has to be.

Plangent

Jan. 17th, 2023 08:19 pm
brigid: (9CL)
[personal profile] brigid

1-17-2023

Plangent can mean "sorrowful" or it can mean "loud" and in this case it means "loud," as in "smash all the keys on the piano at once." "Loud enough to startle Amos into launching his bow across the room." Which is louder, her keyboard banging or her yodeling there?

Because I'm a dork I keep wondering if this is a flashback to her and Amos being younger (but still adults), if this is present time but she's grown her hair out, or if McEldowney has stopped keeping track of silly trifles like that.
brigid: (9CL)
[personal profile] brigid

1-16-2023

And we're back to music fucking.

Edda's right hand in the first panel is really good, I'm glad he drew her fingers. Amos' right hand is a mitten and her hand cupping his face/closing around his throat in the final panel is also basically a mitten. He CAN draw hands, he can even draw them in the correct proportion, but he usually focuses on other things.

Edda's movement from the first panel to the second is well done, too. There's a great sense of motion.

However if you're going to prominently feature breasts with ample cleavage you should perhaps practice a bit. They don't look like weird inflamed pectoral muscles but they still don't look right.

It feels like there's been a shift and McEldowney is suddenly letting loose with a flood of sexy stuff. He's not just focusing on legs (and knees). Now he's got butts, boobs, and feet in the mix. He doesn't have the skill earned by decades of practice in depicting them, they're obviously not as well loved and well rendered as legs legs legs, but it's there.

Anyway, maybe we'll find out what Edda meant about "do you want a sister/brother/sister and brother/brother and sister/two sisters/two brothers/cat and dog/bicycle built for two/small litter/etc." by this time next year. At least Xiulan's pregnancy has progressed, we know (?) time is passing (??).

I really don't know if these two have gotten dressed up to work out their concert fucking kink at home or if they're on stage doing their performance art thing. She bangs on the piano keys discordantly, he plucks a single note, they start humping.That's what they're doing right? That has to be what they're doing. It's "sexy" performance art for people with a very specific set of tastes.
brigid: (9CL)
[personal profile] brigid

1-15-2023

1) I really deeply hate the way that McEldowney's been drawing Amos' face from the front. He doesn't look like Amos, he doesn't even look human. Even considering stylistic choices, it's not great. He's been drawing the women with identical faces, but at least they're faces. The men? Eh.

2) It's been cool seeing Amos play the piano more but it also feels almost like a betrayal of his first love, his cello.

3) Her ass on the piano keyboard absolutely is "their song." I much prefer this to The Hokey-Pokey, thank you very much.
brigid: (9CL)
[personal profile] brigid

12-30-2022

It's December 30th.

Tomorrow is New Year's Eve, and I'm still looking forward to a Juliette/Edda/Twins jumping bit. I really hope we get it. Or Amos/Edda/Twins I guess, but I love the connection between the women and we haven't seen Juliette in a while.

But today? Today it's December 30th.

Or, I don't know, maybe it'd December 17th, when she was posing with mistletoe atop a large mirror-polished black grand piano, wearing a black leotard and pink tights, her short hair in a small bun, while Amos in a tuxedo sits at the keyboard.

The alternative explanation, of course, is that she and Amos just have a complicated THING involving performing arts and fucking.
brigid: (9CL)
[personal profile] brigid

12-17-2022

The whole kiss-under-the-mistletoe thing is a tradition involving both romance and fertility, it's a kiss exchanged between couples that's a prelude to or a promise of sex and everything that entails.

Edda and Amos kicked off the most recent mistletoe story with a swingset while being watched by their young children. We end it with Amos cringing as he plays piano, Edda having mounted it and prepared, perhaps, to spring upon him.

One thing is very clear, though: They are going to fuck on the piano.
brigid: (9CL)
[personal profile] brigid

12-10-2022

They use so many words to say so little.

Anyway, if you were thinking "Well! At least there's no sex in THIS one!" after looking at the first panel, congratulations! The second panel has Amos rubbing his beloved cello against his groin while swinging on a swing he's mounted on a stage somehow.

He went to Julliard and won incredibly prestigious competitions so he could become a performance artist, I guess. Just up on a stage humping things, swinging around wildly, feigning (???) orgasm, pointing out his food-stained upper lip, speeding through a slow-paced contemplative piece so he can run back and fuck his wife.

I mean, there is literally no way he can play his cello like that. None. He's just up there swinging around with his cello between his legs not making music which is allegedly his profession.

I just... keep going back to the audience, you know? You get your ticket for $30-50 per person, you put on actual pants and shoes that lace up and possibly a bra, you clear the time for it, you travel there, you maybe get a baby sitter, it's a whole event, and... instead of a pleasant evening of Prokofiev or Schoenberg or whatever you get a guy on a swing set humping a cello accompanied by a woman writhing around orgastically on a piano bench. Later, as they bow, her zipper will come undone and her dress will fall off or it'll be revealed that his fly is down and his shirt is sticking out through it.

Hm. Maybe that IS worth paying $30-50 for.

Anyway, apparently Sister Steven and her brother Cardinal Feeney were just... brought in for no reason? Utterly baffling.
brigid: drawing of two women, one whispering to the other (Edda)
[personal profile] brigid
Edda attacks a piano in a wild frenzy of violence or sexual ecstasy.
9 Chickweed Lane for 11-20-2022

GoComics is still down so I've pulled this from ArcaMax.

McEldowney has a long history of Edda attacking the piano violently, sometimes orgastically and sometimes just... angrily. She's a passionate woman and that passion is equally split between violence and fucking. Either way I imagine she goes through pianos about as fast as she went through toe shoes when she was a professional ballet dancer. Pianos are slightly more expensive though, I think.

If GoComics was up I'd do a trawl through the archives and show some other examples of her getting sexy and/or furious with a piano. I don't think we've ever seen Xiulan humping a cello and for that I am grateful.

Several years ago McEldowney had a week or more series demonstrating different composers and how Edda approached their music. I'm familiar enough with classical music to get the jokes but wonder if they'd fly over the heads of other readers. But that's the sort of thing that doesn't really matter... McEldowney's audience, the one he writes for (at least in theory), are people familiar with classical music and with ballet. I'm familiar with classical music. I listen to the classical station on the radio (who listens to the RADIO for crying out loud?). When I was a kid and PBS aired the entirety of the Ring Cycle I stayed up late to watch it. I played in an orchestra in grade school and high school before dropping out of it because I sucked so bad. I make a lot of references other people don't get, like to PDQ Bach/Professor Peter Schickle.



I am McEldowney's audience.

It's great to have an audience in mind and to write specifically to that audience instead of trying to capture the attention of a very wide range of people. That way likes bland mediocrity. You can't be all things to all people, and that's why so many comic strips and sitcoms and so much other stuff is just kind of there, not really connecting with an invested audience. It's just something to pass the time.

So showing a young pianist having different approaches to different composers, having different emotional reactions, being invested in different ways... that's fantastic. That's what this comic should be. Instead we wind up with her having orgasms while playing, and nobody ever mentions Béla Bartók.

It feels like his intended audience has shifted from "I make comic strips for over educated classy nerds" to "I make comic strips for over educated classy nerds... who want to see people fucking in public" which is a VERY specific audience, I must say.
brigid: drawing of two women, one whispering to the other (Default)
[personal profile] brigid
Two horny dorks lounge on a piano or pair of pianos.
9 Chickweed Lane for 11-17-2022

I despise this strip.

There are two keyboards and each has a stool in front of it so presumably there's two pianos, supporting the text of "Romantic Interlude, Two Pianos, No Hands."

His solid blacks, however, render it impossible to tell how many pianos there actually are. Is one in front of the other? Are the touching, back to back? Is it one really big piano with too many legs? What would Tori Amos think of this whole two-piano situation? Tori Amos, by the way, is a musical genius who won a full scholarship to the Peabody Institute at Johns Hopkins University when she was five. She started playing at 2 and composing at 3. Have Polly and Lolly achieved that? No. No, they have not. All they do is look up different words for boobs in the thesaurus and tell their mom how sexy she is, and watch people have sex. God, I feel dirty.

So these two, who have a history of piano fucking, are lounging on the piano(s). Amos in his black tux and Edda in her weird flesh-colored formal slip-dress. Amazingly she doesn't have far too large, droopy spaghetti straps sliding down her shoulders/arms. Don't worry, McEldowney has made up for that with Amos' too-long shoe laces.

Notably, Edda has an ass and it is not flat.

What's really weird, though, is that Amos has a dynamic pose while Edda is just kind of... there. McEldowney has been putting more effort into posing Amos lately.

I do want to ONCE AGAIN point out that AMOS DOES NOT PLAY THE PIANO. Correct me if I'm wrong, I'm very willing to be corrected, but he has only ever been depicted playing the CELLO. He has two loves in the world: Edda and the cello. The difference between them is he only wants to fuck one of them. Probably. Hopefully. I guess his kids are in the "loves" part but I don't want to associate them any further with amorous activities than they already have been within the strip itself. Amos doesn't play the piano. Amos has never played the piano. Why is Amos playing the piano. At least set it up with him taking lessons or something first.

Anyway, I despise this particular strip and am really hoping he ends it Friday or Saturday and we don't get another week of it.

I'm also hoping we don't get the return of Hand Fucking.

Edit
Amos plays the piano. I'd forgotten that what kicked off their whole romance before they parted ways to go to the ballet corp and to Julliard is that Amos played piano for the ballet recital she choreographed herself. The choreography involved her being on top of a piano. He's been shown playing the piano a few other times. I'd love to see him playing another instrument as well, because I am both demanding and also really invested in him and his musical skills. (Amos basically had a makeover for that recital, figuring out how to comb his hair and shellac it to his skull instead of featuring his normal pile of excitingly curly tangled hair, and donning a tux that he wore while standing up straight. Proper grooming (which could have just entailed figuring out how to manage his curls as curls) and posture go a long way toward making someone hot, which he's supposed to read as. Nerd-hot.)
brigid: (9CL)
[personal profile] brigid
Edda and Amos Make Out While Playing PIano
9 Chickweed Lane for 11-16-2022

McEldowney colors his own staff and has been for a long time, which means he chose to make Edda's dress a putty-ish flesh color. That's a stylistic choice that he made.

The married pair are, of course, making out at the piano. Amos doesn't normally play piano, he's pretty cello monogamous. This is a defining trait of his. Therefore, the main reason he'd be sitting on the piano bench would be sexual in nature. These two find pianos erotic. Highly erotic. Incredibly erotic. I do not ever want to take a black light to McEldowney's personal piano (he is a professional pianist... or was, he may have retired).

The anatomy isn't terrible here? Edda's got her usual Long Arms but Amos leaning toward her is very believable except for the hand cupping her butt. He's supporting his entire weight on the back of his wrist doing that, unless Edda is holding him up. She also has an actual butt in this strip which is rare.

I guess we're in for a week of un-themed one-off gags as opposed to 5 or 6 days about hot coffee or piano fuckin' or whatever. So just a week of strips that fling us around willy nilly, always coming back to fuckin'.

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