brigid: (9CL)
[personal profile] brigid
11/12/2024

A 3 panel strip.

P1:

Lolly and Edda are standing with their backs to the camera, visible from the upper-back up. There is no background/set/scenery.

Edda: "When I asked you what had become of Alistair's shirt, you said "It's none of your business, mummy." That was irritating but entirely true. Saying "Now, where'd that old thing get off to?" was just evasion. Trust me, I know. It never worked with my mother either.

P2:

Amos is standing, visible from the mid thigh up, facing the camera. Lolly has a hand on his shoulder and looks like she's walking.

Lolly: Ohhhhh daddy. You dog.

P3:

Amos looks befuddled, hair mussed, head turned in the direction Lolly has walked.

Amos: What? ................................... Whaaat?

fin.

Right off the bat McEldowney hits us with two of my biggest pet peeves:

1) That an adult in Maine calls her mother "mummy." Look, buddy, "New England" doesn't mean "They Talk Like They're English."

2) Ellipsis abuse. An ellipsis is 3 periods. "..." It indicates a pause, or a trailing-off. For a guy who presents himself as a massive stickler for grammar it's CHAFES that he regularly and routinely fucks up ellipses.

Anyway, the "joke" is that people have sex.

"None of your business" is a complete answer. Why would you say that then say something else? "Where did Alistair's shirt go?" "None of your business. Now where'd that li'l ol' shirt get to?" That's not how people converse.

You know what else people don't generally do?

Congratulate their parents on fucking. Which she did. Just now.

One question is just how exactly did this whole thing flow. Did she and Edda wrap up the conversation, then catch sight of Amos who was staring blankly off into space not paying attention? Or did she, later on, clap him on the shoulder and congratulate him for passively allowing his wife to remove his clothing?

Either way it's understandable why he'd be confused.
brigid: (9CL)
[personal profile] brigid

2-21-2023

Ok so either Edda and Amos are leaving mere seconds after everyone in the group has arrived so they can go and... eat spaghetti???... or "spaghetti" is their public code word for "fuck." Or spaghetti is foreplay? Either way, Hugh and Xiulan have already been deserted by Seth and Fernanda and thus will have been stood up by everyone in their party except for Mary who is a stranger and who Has Baggage. I enjoy spending time with my husband but if I put on a tux and went out to meet two other couples and they both ditched me I'd be really hurt. If I were 10 months pregnant and waddled my ass over there only to be abandoned by so-called "friends" so they could streak home and fuck I'd be incandescent with rage. Absolutely incandescent.

While it looks like Edda is coming on to Mary/inviting her home for some of Amos' home made spaghetti and "something else" (fucking) McEldowney is surprisingly prudish when it comes to characters other than the main cast. So no.

You've got sluts, and you've got people with destined true love who fuck on table tops, and never the two shall overlap.

Anyway, the Anchorage Daily News dropped 9CL along with some other strips.

I'm still under threat of intervention, by the way, or this would be considerably longer.

Considerably.

Longer.

Good things about the strip though: Mary's body language and face in the first panel is excellent, Edda's predatory sexual body language and face in the final panel with Mary leaning back is kind of scary! Edda's going to EAT HER and Mary doesn't know it but SHE WILL LOVE IT. Lol jk Edda would never kiss a girl that's where cooties live.

Prolific

Feb. 12th, 2023 08:33 pm
brigid: (9CL)
[personal profile] brigid

2-12-2023

"Amos is fast if not prolific" doesn't make sense. "Amos is nothing if not prolific" makes sense. I keep trying to make sense of "fast if not prolific" and my brain just slides off it. I might be missing something but I don't think I am.

Amos built a bunch of snow shit in the time it took Edda to turn around. He is both fast and prolific. He worked quickly and also produced a lot of work.

Amos specifically built a bunch of snow babies because once again McEldowney is more about the idea of children than actual children, children in concept but not in practice.

There is literally no reason not to have their kids present. Instead we have two adults playing in the snow... sans kids. Because kids don't like playing in the snow? Because playing in the snow is just like a thing that people barrelling toward middle age enjoy doing as an adult activity, kids held someplace else?

Anyway, here we see two adult snowpeople making out while snowbabies clamor for their attention.
brigid: (9CL)
[personal profile] brigid

2-10-2023

Is there a reason you shouldn't ask to cut in?

Is there a reason you should?

Amos doesn't remember you and Edda has been insulting you this entire time. Why would you want to cut in?

Anyway, it's probably for the best you haven't cut it... Amos just broke Edda's back, thus needing to carry her off.

Some folks have been talking about them having a threesome but that's not going to happen, McEldowney has some pretty glaring sexual hangups and a big ol' slutty adulterous slut like Mary is never going to grace the bed of these two destined pure lovebirds.

Art wise... Mary's legs are too short which is surprising given McEldowney's usual focus on legs. Her arms, meanwhile, are terrifyingly too long. Should I create an egregiously bad art tag? I don't know.
brigid: (9CL)
[personal profile] brigid

2-09-2023

Note how Edda's gown is both utterly skin tight, clinging to her and highlighting her curves and also extremely voluminous and billowing with every move while still clinging to her buttocks.

I'm not EXACTLY sure what's going on w/Mary's skirt there. It's got a double slit, one on each side? One side slit but she worms her legs around so it slithers over the forward facing thigh as she walks? Like is she just wearing a really long loin cloth here? Is that her dress situation? A slit up her skirt on each side with the material in the center trapped between her thighs as she wriggles her way painfully across the floor? How is she MOVING? And why doesn't she know enough to maintain a distance from dancers?

Edda and Amos flail wildly as they dance, Amos swinging Edda around and throwing her into the air only to catch her and toss her backwards etc. Really they should be swing dancing or something, but there's no sexy accordions with swing dancing as far as I know.It must be deeply, deeply unpleasant for everyone else there. Just... these two humping on a piano then careening wildly around the room legs and dress akimbo before they start humping on a chair.

How many tango salons do you think they've been banned from?

And how would Mary know they're there? She slumped off, defeated, the last time we saw her (ok, time before last). Then these two donned evening wear and went, alone, to a tango salon. She doesn't know any of their friends!t's not like she can ring up Seth and be all "Hello, my fellow adulterer. Do you know where Amos, a married man with twin children who makes his living as a cellist, spends his evenings? Because obviously it's not at home with his small children!"

McEldowney tries to have it both ways w/Amos. He is an absent minded dork with poor social skills who is extremely literal in ways that many people find baffling if not insulting, skinny and chinless and balding, and also so appealing that multiple women have tried to seduce him.Isabel Florin, famously sexy slut and amazing pianist; Xiulan Goldaming (nee Yuan), unbelievably wealthy Chinese woman and amazing cellist; Mary Rosenzweig, childhood crush and flautist.

These beautiful women have all attempted to seduce him WHILE HE WAS IN A RELATIONSHIP.

In a relationship, I might add, with an incredibly beautiful and graceful accomplished young woman who speaks French, was a professional ballet dancer with an elite ballet corp, was a professional model, plays piano at a professional level based only on private music lessons as a kid and a lot of practice, plays viola, & I'm sure there's more I'm forgetting.

I mention the private music lessons because Amos didn't just major in music. The gifted motherfucker went to Julliard. He plays multiple instruments, he composes, he orchestrates, he conducts, he does EVERYTHING. He STUDIED this shit. He lives and breathes music. Edda took lessons a few times a week and banged around on a piano in her home when she felt like it, and she's somehow on par with him, and with his intensely-trained highly educated peers.

I get it, I get it. Amos is a self-insert, a dorky nerd who is appealing to women somehow. (It's me, I'd find him appealing in real life. My husband monologued about Sauron for 1/2 an hour last night.) But yet another installment of "a hot chick throws her dripping wet panties at Amos while Edda frowns disapprovingly and then humiliates her somehow" is pretty boring. And insecure.

And the worst thing about this strip... the absolute WORST thing about this strip... is that a sultry lady slinking panel by panel toward the viewer and then being thrown awkwardly off balance should be funny! But it's done so poorly here that it's not!!!

What would have made this funny is if the thing that threw her off balance was a completely different dancing couple and one of them was dipped so Mary was avoiding their HEAD or maybe an extended arm, not a kicking leg. Like she's so focused on slinking toward someone that she doesn't notice the chaos around her and said chaos interrupts her slinking but not in a, like, VIOLENT way. And the dancers DO NOT NOTICE HER AT ALL. She's not in their world. She's just another person. That would, yes, require drawing other dancers and perhaps hinting at the existence of a back wall or something. Maybe one of those sexy, sexy accordion players (NOTE: accordion players are pretty sexy people based on the accordion players I know. Charming and funny, too).

It would also not involve what looks like a direct attack from Edda.

Again, I'm REALLY hoping that Mary is there to see someone else because dang it doesn't make sense for her to be there on Amos'. We've already established it doesn't make sense to pursue Amos. He's married, he's happily married, he has no interest in her, Edda was her best friend who treated her decently enough (except for never telling Amos to stop stalking her).

Some people might be holding out for a thruple here, but given how uptight McEldowney is about people having the wrong kind of sex (it has to EITHER be IN WEDLOCK or between two heterosexual people DESTINED TO BE TOGETHER) it's not going to happen. Given the contempt Edda feels for most women it's absolutely not going to happen.
brigid: (9CL)
[personal profile] brigid

2-8-2023



I just... I mean. I'm not even going to discuss Edda's anatomy here.

Ok, that's a lie, I am. Look at her. LOOK at her.

Her pelvis has to be like two feet wide for her hips, and thus thighs, to be that far apart.

Amos is holding her up by one thigh and her hand, or else she's actively launching herself groin-first at him?

The way her waist is twisted, and the length of her torso?

Professional artist and comic-strip-er David Willis broke her leg issues down on Twitter.

Anyway, one of the big issues with not having any backgrounds while also having poor pacing is that it looks like Mary is in her bedroom or some sort of sitting room or maybe she's powdering her nose in a fancy bathroom? And then she leaves that room and will enter the room that Amos and Edda are alone in. The empty vacant room that's attached to the room she was in previously.

McEldowney could have given her any hairstyle, any hairstyle at all. It's been ten years since we've seen her. She could have grown her hair out. She could have curled it. She could have gotten an undercut. She could have bleached or dyed it. Instead her hair has remained essentially the same except now she's "styled" it to look like Mark's or Janice's, or like Isabel's hair but straight and spiky instead of curly.

What I would love - what I would absolutely love - is for Mary to just be goth, you know? She just so happens to be at the same tango salon meeting someone else. Edda has some kind of confrontation only to be shot down by the fact that Mary doesn't actually plan her life around Amos and Edda. Like Mary enters, Edda marches over and starts lecturing her, someone intervenes and asks Mary if she's ok and they go off together.

But that won't happen.

Not when there's a chance to further humiliate Mary, I guess.

Is it worth making a tag for broken anatomy?
brigid: (9CL)
[personal profile] brigid

2-7-2023


Oh man, this has it all:
Edda humping a piano
Edda in a skin tight evening gown
Edda's bare leg
Amos looking dapper, playing a musical instrument
Edda talking floridly of sex
Amos talking floridly of sex
Tango/Bandoneon

All that's missing is an audience made up of people fucking on top of tables while small children provide commentary.

Anyway, I'm sure it's meant to be romantic/sweet/sexy that Amos is casually saying he'd cheat on his wife with Edda were he to have wedded someone else but it's actually kind of gross ... especially given just how much adultery is complete anathema to Edda. Well, when other people partake in it, I guess.

It's rich saying she's never thought of him as "so sinful" when this motherfucker spent a week licking her feet on a New York sidewalk in front of passers by. If that's not sin then I don't know what is.
brigid: (9CL)
[personal profile] brigid

2-6-2023

A hoof.

She has a hoof.

Anyway...

I cannot restate this enough times: Amos had an engagement ring in his pocket (for Edda) when he met with Mary to proclaim his love for her. He then vomited, which proved he loved Edda.

You know, normal relationship stuff.

But he was hung up on her into adulthood. She was the what-if for him and he’s the what-if for her apparently.

People growing & changing is GREAT and it’s an interesting story.

That’s not what we got, though. We got Mary being humiliated so Amos can declare his love for Edda.

Edda wasn’t “his universe” in school. They both had crushes on other people, she actively dated a lot of guys. That’s normal. And it’s ignored. And that's a shame, because "friends realizing over time that they love each other and also are IN LOVE with each other" is really interesting. "Two people always destined to be together drift into a marriage and kids and perfect career together" isn't that much fun. I mean, it CAN be if they have to overcome obstacles but they didn't have any obstacles but themselves.

And the ultimate “punchline”, apparently, occurs the Monday after that story line is seemingly resolved because this man SUCKS at pacing.

Or we’ll have another week of them declaring undying love with legs splayed all over the place. I really am not in the mood for a week of Amos describing how much he loves Edda using the most florid, purple prose he can possibly dredge up. Somewhere their battered thesaurus is weeping over its broken spine and dog eared pages.

Meanwhile, here Edda is looking like a Barbie doll that's fallen out of a toybox, hips moving in ways human hips can't move. It's so important that her entire leg be visible that McEldowney mangles her foot (hoof) and has a speech bubble coming out of her cootch/Amos' lower back so it's not obscuring anything.

Which brings us to, you know...
brigid: (9CL)
[personal profile] brigid


2-5-2023

Ah... yes. The water. Again.

I like how his hair looks when he pops up out of the water, plastered inkily against his skull.

I'm glad McEldowney didn't take the scribble route.
brigid: (9CL)
[personal profile] brigid

2-4-2023

He saw her front constantly.

He saw her front as she spoke to Edda.

He saw her front as she spoke to him.

He saw her front as she asked him over and over and over to stop stalking her.

He saw her front as she asked him to get up off the ground so she could walk to where she was going without having to step over him.

He saw her front as she politely invited him to join her youth orchestra (he declined).

He saw her front as he, an adult with an engagement ring for Edda in his pocket, informed Mary that she was the only person that he'd ever loved.

He saw her front when she, an adult, stayed him Amos and Edda in their apartment during a visit to New York.

He saw her front constantly.
brigid: (9CL)
[personal profile] brigid

2-3-2023

Yeah, McEldowney brought Mary back specifically to humiliate her.

As one does.

I wanted a story line that didn't involve people fucking in public or children discussing sexual stuff and this is what McEldowney put out.

Somewhere a monkey's paw has one less finger raised.
brigid: (9CL)
[personal profile] brigid

2-2-2023

"Amos, here is someone that you know."

"Oh wow, this person is trying to get your attention!"

"Amos, I am a person that you know and I am trying to get YOUR attention."

"Well, I'm not going to respond in any way or acknowledge you, but I am going to mention how embarrassing this is."

Sometimes people want to hug you and you don't want to be hugged and that's fine. But you can stand there and stare at them, or you can tell them that you're not a person who hugs. You can deflect the hug to a handshake or a wave. Just standing there staring at someone greeting you is a real dick move. He hasn't even said hello to her yet. Even if he doesn't recognize her somehow, one of the baselines for civility is to respond when someone greets you. He hasn't done that. Even when she addressed him directly he hasn't responded to her. Instead he's uttered two asides to Edda. It's coming across as him actively snubbing her, giving her the cut direct.

The best read of this is that Amos doesn't recognize her and is embarrassed by his lack of recognition of someone who obviously knows who he is. Edda not only refuses to clarify who this person is, which leaves Amos feeling shame and embarrassment, she's also enjoying Mary's discomfort and embarrassment. She's leaving both people to twist in the wind, feeling embarrassed, so she can feel superior to Mary over... having married Amos ten years ago, or however many it was, after having dated him for even longer.

This is the second time McEldowney has dug up a very minor character who hadn't been seen in a decade real-time, not in-strip-time, to have other characters treat them like shit.

The biggest example, of course, is when McEldowney reintroduced Mark solely so Seth could cheat on him, marry a woman without telling Mark he'd been fucking someone else and gotten engaged while still living with Mark and then painted Mark as the bad person who was acting irrationally about his live-in LONG-term boyfriend cheating on him, getting engaged without telling him, marrying someone else, and refusing entirely to talk about it. Ever. That someone, by the way, is a homophobic bigot who has done nothing but insult Mark both generally and also specifically because he's not masculine and/or straight. Everyone in the strip treated Mark like a real buzzkill who was over reacting.

Again, his long term live-in boyfriend was actively living with him and sharing his bed while also fucking somebody else - somebody who'd regularly verbally abused him and with whom Seth had already cheated on him with. His long term live-in boyfriend was actively living with him and sharing his bed when he got engaged to this person. His ex boyfriend, who he'd been dating for twenty years and with whom he'd lived for some amount of time we'll never know, who shared a bed with him, refused to discuss ANY of this with him and verbally abused him when he tried. And everyone apparently agreed this was... normal behavior, this is how you treat someone you've been with for twenty years, this is how you treat someone who loves you, this is how you treat someone who shares your bed.

There was absolutely no reason for McEldowney to bring Mark back as a character. Seth could very easily have been single, or only dating people casually. The only reason to bring him back was to be cruel, and to have all the other characters reinforce that cruelty as normal and correct.

That story line, which kicked off on June 1st (Pride month), culminated in a hot woman triumphing over a gay man, claiming Seth as her own. This current story line apparently is about Edda triumphing over Mary, someone who has been entirely irrelevant for a good decade now.

I want to restate this: Mary is entirely irrelevant.

Edda's kids are somewhere between the ages of 6 and 10, maybe slightly younger if they're extra precocious. Mary apparently didn't know Edda had had kids. The pregnancy was high risk and Edda was in the hospital toward the end of it. Mary did not know that Edda's pregnancy could have killed her.. Nobody invited Mary to Edda's baby shower (assuming she had one? none was shown). Mary has not spoken to Edda or anyone in her family for at least six years. At least. Mary has been married, and divorced, twice. Edda has not gone to either wedding, apparently did not know that she'd been married at all.

"How have you been?"

"Well, I've been married and divorced twice."

That's what you say to someone you haven't seen in years. The more recently you've seen someone the more immediate the news is. "I got a promotion last year!" "I paid off my student loans five months ago!" "Frank signed the paperwork for our divorce. At last!" "I finally tried that sandwich shop last week!" "OH MY GOD you will not BELIEVE what new bullshit is going on at work!"

Edda is gloating at someone over something that happened over a decade ago. Edda is letting someone suffer social indignities over a ship that sailed over a decade ago. Amos very clearly has no interest in Mary. Amos very clearly is massively invested in his life with Edda, their daughters, and their career. Mary is in no way a threat and frankly never was. But McEldowney brought her back so we can see how Edda is better than her, and by "better than her" I mean small and petty and vindictive.

This is weird. This is weird behavior. Mary's going to go home and tell this story and people are going to laugh at how weird it was, but Mary won't be the butt of the joke. Her weird-ass musician friends who are still heavily invested in the social dynamics of 11th grade will be, though, and rightfully so.
brigid: (9CL)
[personal profile] brigid

02-01-2023

I know that "being a little oblivious" is one of Amos' THINGS but when your wife says "look who's here" that means that she knows that a person is there, knows who the person is, and is directing your attention to the person so you can greet the person.

Recoiling from the person so indicated and stating that the person who has been explicitly pointed out is "beckoning" to your wife is just... that moves beyond "wacky hi-jinks" to "dude what the fuck." It's "have you suffered some form of brain injury" territory and I don't mean that in a lazy insult way, I mean that this behavior is so utterly weird that something very wrong is going on with his thinking. This isn't "absent minded musician," this is "person who does not know how human beings act." It's not even a social nicety, like someone being uncomfortable with small talk or not knowing how to respond to "how are you" from a coworker. It's "look, there's someone you know, she's standing right there, look at her" "OH MY GOD A PERSON! DO YOU KNOW THIS PERSON? SHE'S EXISTING AT ME."

When Isabel Florin came on to him at her apartment and suggested it would be nice to change into comfortable clothing and slipped away to change into silk pajamas and he went home and changed into his own pajamas and got into bed... that made sense for his character and was kind of funny. He is, again, a little oblivious and also can be extremely literal. But this isn't that.

Amos was obsessed with Mary, and I mean obsessed. He followed her around, sometimes with binoculars. She told him repeatedly to stop, to leave her alone, that his attentions weren't wanted. Edda, who was Amos' best friend, knew this was going on because she and Mary were best friends. Edda knew this distressed Mary and never told Amos to stop.

As an adult, Amos has had encounters with Mary, including one where he called her up to discuss how much he'd loved her only to projectile vomit at the idea of actually having a relationship with her. Later, Mary visits New York and stays with them in their apartment. Edda worries that Amos will see Mary and become obsessed with her. That doesn't happen.

So not only did Amos have at least 3 years of obsessively stalking Mary he's encountered her at least twice as an adult and... doesn't recognize her?

Again, this feels like McEldowney needing to give Edda some kind of "win" over a romantic/sexual rival and dredging up Mary yet again, a character we haven't seen in a decade, to show off the fact that Amos "chose" Edda and they got married. And part of this win is trashing Mary's character while also showing how insignificant she is.

Art wise, there's far too much room between them in the second panel for Mary to be going in for a hug that expansive. It looks like she's advancing upon him, arms spread wide, ready to hoist him up like a barrel. And why is she standing so far away from the two of them in the first panel? Amos walked up to them, unless Edda was already walking away from Mary and bumped into Amos. That's not how far apart you stand when you're catching up with someone unless you're following Covid protocol.

It's also not great that they're in a white void. People rag on voidcomics all the time, call them lazy, etc. But if you've got talking heads you don't always need an ornate background. I spend an awful lot of my life against a flat colored wall of some kind or another. But this strip needs at the very least an establishing shot. Are they outside? Has Amos just come home and hasn't removed his overcoat? Was Amos meeting Edda someplace and Mary just happened upon Edda randomly? They're unmoored in time and place.

Also Mary is wearing a v-neck sweater (sweatshirt?) over a turtleneck sweater paired with a miniskirt and low-heeled pumps and I am BEGGING this man to look at the kind of clothing women actually wear. PLEASE.

(In another strip his recoil and boggled face would indicate that he and Mary have been seeing each other and he's trying to hide it while feeling guilty. Nope.)
brigid: (9CL)
[personal profile] brigid

1-29-2023

This is a cute enough comic. Nice body language on Amos.

I hate the tangled tails of the speech bubbles in the final panel. It's overly complex and ridiculous.

Just have them talk.
brigid: (9CL)
[personal profile] brigid

1-28-2023

There is a lot going on in this strip.

One is how disjointed the three panels are. We see Edda and Amos, with that muddy grey/purple/reddish pink background, talking about how gosh golly darnit Edda just wants her girls to be super girly and girlish and like girls and not be interested in, like, BOY things, good heavens. The next is the girls in isolation against a white background. Then Edda and Amos in isolation against a muddy green and yellow background.

It doesn't look like they're interacting.

It's also an abrupt departure from the kids making a board game that the parents may or may not play with them.

Edda being disapproving about the girls putting on a play where all the characters get eaten by sharks when that's a pretty modern twist on Jo March's "blood and thunder" plays where everyone dies at the end is... a big tell that she/McEldowney hasn't read "Little Women" or other Alcott books.

I want to point out that Louisa May Alcott expressed a regret that she was a girl and not a boy, as did her most famous character Jo March. She expressed displeasure with the societal constraints women lived under, and advocated for dress reform. She wrote gothic thrillers and sexy bloodsoaked stories for money. No sharks, but... you know. Lots of violence, sex, and death.

Amos saying he "was" looking forward to "the opening night"... did they make the kids abandon the idea? I really hope not.

It's... just so frustrating to see them get so close to parenting and interacting with their kids and then... veer away. Yet again.

Art-wise McEldowney is highlighting ONLY Edda, and ONLY her underboob. Nothing else is worthy of the loving attention of shadow. The kids are dressed the way small children were dressed in the 80s - collared shirts under sweatshirts/sweaters? That's not how kids dress! That's not how parents dress their kids! I mean, for the most part. It makes them look like their parents are very religious/conservative which is to say how Amos almost always look and how Edda looks when she doesn't have her ass hanging out of her super short skirt. Even when Amos was fellating her toes in public while a cop looked on she was wearing a turtleneck sweater and mid-shin length skirt. Also the kids have fluctuated over the week as to how old they look which remains a frustration as well.

I really want to see more of the kids. They've become interesting.
brigid: (9CL)
[personal profile] brigid

1-27-2023

The punchline is that they're going to have sex.

The punchline is always that they're going to have sex, unless the punchline is that they are currently having sex or just had sex.

And once again McEldowney has managed to take a story line about small children and turn it into a punchline about how these two adults are going to fuck.

And I just... need to put this in context.

These two little girls invented a board game that they're really excited about and have been enjoying playing.

They tell their parents about it.

Their dad is excited to play it, in part because you get to scream "doom," and their mom keeps prompting him to be upset about the game for some reason.

They both sit down with the kids, around the board game, then they get up and leave.

They get up and they leave so they can talk about fucking.

I do not understand what Edda's objections to this game are, especially as she was a violent child AND this is extremely normal behavior for kids the age these girls are. I also don't know why she's leaning on Amos to "do something" or "say something" or whatever. She's a very opinionated person who has NEVER had an issue expressing her opinion before to the point that it's a defining trait of hers. It feels like we're veering into some gender essentialism here, some gender essentialism that was mostly lacking previously.

We came so close to seeing these two parent their kids, to seeing their kids as people. These kids made a fun sounding game. Their parents sat down to play with them. Their dad was excited to play with them. We came SO CLOSE to a STORY, to something HAPPENING.

And then veered away at the last second.

It's so incredibly frustrating.

It also makes me want to play Bitin' Off Hedz, which I haven't played in a good 20 years.
brigid: (9CL)
[personal profile] brigid

1-26-2023

Yeah, I still don't know why Edda thinks the girls need to be scolded about this and I also don't know why she wants Amos to do so if she's the one with the issue.

Nice to see them interacting as a family, though.

DOOM

Jan. 25th, 2023 03:49 pm
brigid: (9CL)
[personal profile] brigid

1-25-2023

I have no idea why this would necessitate "a stern lecture."

I would play the heck out of this game, if I haven't already.

This reminds me of Amos' earlier writing as a kid who was really into physics, astronomy, math, etc. and who regularly predicted the end of the world. This is the face of a man who enjoys screaming DOOM. I'm hoping we get to see the rest of the week follow them all playing this board game.

Kid-invented board games are amazing.
brigid: (9CL)
[personal profile] brigid

1-24-2023

There's a lot wrong with this strip.

There's a great deal wrong with this strip.

One of the biggest remains the unseen visual gag about his underpants.

It fails because there's two ways you can spin something like this:

1) Show it, but don't describe it... at least not immediately. A depiction of underpants with Wagner's face, or a bunch of his faces as a pattern, and then an explanation would work. "What? Oh, yeah. These are my Wagnerian pants. I always wear them on Wednesday."

2) Describe it and only describe it, but describe it in detail. We don't get detail (it isn't until day 2 that we find out what the decoration is, that it's a face on his butt cheek, and that there's a second face on his other butt cheek but he only refers to his underpants by the name of the first butt cheek guy) and we also see the front of his underpants, which are white.

Now for the overclothes... where to start?

McEldowney dressed Amos in a turtleneck sweater and a pea coat or a blazer. Yesterday Amos ripped his turtleneck sweater in half down the center to quickly bare his chest. He didn't pull it off and whip it away. Nor did he yank it open, buttons flying, as one would a button down shirt. He shredded that fucker. And yet today he's fully dressed. If he'd torn off and thrown his sweater he could simply put it back on. If he'd ripped open his button down shirt he could hold it closed, even if the buttons are long gone. But apparently his turtleneck sweater just... reformed? Did McEldowney forget that Amos had shredded the turtleneck sweater? Does he just not care? Does it not matter to him as long as Amos has gotten nude in public?

Out there in the outside world. Where other people are. Where it's cold enough to need outerwear. Possibly in a place where people called the police on them as Amos licked Edda's feet on the sidewalk.

All that matters is Amos has nipples hard enough to cut glass.
brigid: (9CL)
[personal profile] brigid

1-23-2023

There's a lot! Going on! Here!!

I assume he's referencing a strip or strips that he's got a beef with, the way he's beefed with "Doonesbury" (in a very one-sided way).

The other explanation, of course, is that he's poking fun at his own strip.

If he uses this as a springboard to get out of the constant fucking and back to stories I'll be thrilled.

Because here he is, the Monday after a full week of "erotic music playing" strips that culminated in Edda essentially wearing lingerie on stage, talking about strip creators who run out of ideas and just do the same thing over and over. Apparently afraid that THIS strip is running out of ideas Amos shreds his turtleneck and throws himself upon Edda's sexual mercy.

Is he wearing pants? Did he rip those off as well, or was he just wearing a long coat? A turtleneck dress? This is really the best "new idea" he could come up with? More sex?

Well, Amos wearing less clothing than Edda is different, I guess.

The two of them acting sexually outside isn't, though. I assume they're outside, they're both wearing coats. But really they could be anywhere.

But! Let's focus on the most important thing!!

HOW can one mention Richard Wagner underpants AND THEN NOT SHOW THEM? Comic strips are a visual medium! We didn't even get a background here! Just Amos in white boxer shorts (white trousers?) and then a description! Is it the BACK of them that's decorated? What are they decorated with? His face? A Valkyrie helmet? Some iron crosses?

One can also ask how one's spouse can remain unaware of this sort of novelty undergarment, or why one would not include their spouse in the "select crowd" that knows they exist. One could. If one felt so inclined.

I have to wonder if he's a member of a "classical composer underpants of the month" subscription service, a service which could probably milk some money from a certain kind of nerd.

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