brigid: (9CL)
[personal profile] brigid

2-22-2023

I don't fully understand the time line of this particular story.

Mary purchased a recording of Amos' music and has it on her when she encounters Edda. Did they plan to meet? Was it a coincidence? Was it a planned coincidence? Edda infodumps at her, making it clear they haven't spoken in at least five years.

After Edda's quick summary of her life, Mary reveals some more emotional yet vague details of her own (does she have a job? children? pets? where does she live?). The two discuss Amos and how rad and sexy he is.

The two women encounter Amos (accidentally? on purpose?) who does not recognize Mary. Edda refuses to share Mary's identity. Mary has "a recording" which is... an enormous CD? A 7" album? She asks Amos to sign it. He doesn't remember who she is, which is embarrassing for him and mortifying for her.

The mortification seems to be the point.

Mary walks away. Amos recognizes her back, even though they spent years together speaking face to face, in addition to meeting twice as adults in New York (once at his instigation).

Edda and Amos, now dressed in formal wear, discuss Mary. There is no background or any sort of context clue other than their garb as to where they are. They dance in one strip, Amos plays the piano while Edda crouches on said piano in another strip, then in the third strip they are dancing (?) as Mary applies make up.

Mary slinks toward the "camera" only to be nearly "accidentally" kicked by Edda. She is in the same vague location they are, dressed in a formal yet incredibly revealing gown (like Edda is).

It's unclear how she got there. Did she follow them? Ask mutual friends? Come upon them accidentally?

Mary asks to cut in. Amos responds by bending Edda backward in a deep kiss and then picking her up and carrying her away.

Mary, alone, sits at a table. Seth, who doesn't recognize her, sits with her while he waits for his wife Fernanda. This is, apparently, a public place where strangers feel comfortable interacting.

The two realize they do know each other after all, via Edda. Seth mentions that he's gay, as cis men who marry cis women so very often mention. There's "witty banter" and then Fernanda appears. Mary finds her sexy (?). Fernanda sits in Seth's lap. Seth and Fernanda make out (in this public place) while Mary watches. Seth points out that Mary has never known True Love. ("True Love" is "sitting on someone's lap in public directly in front of a stranger making out hot and heavy" I guess)

Seth and Fernanda leave to dance. Mary remains at the table, lacking a dance partner.

Hugh approaches the table, stating he was meant to meet Seth and Fernanda there. I guess... tables... are assigned? Reserved? Mary has been there long enough that a glass of wine has appeared. We see that the table is fairly large, actually, with seating for 6. After announcing that they are horny and want to fuck Seth and Fernanda walk away, heading home, apparently without greeting or speaking to Hugh? We don't actually see them interact.

After striking out with gay, married Seth Mary tries flirting with Hugh who casually mentions his wife. Xiulan shows up, still massively pregnant. Like Amos, he's in a tuxedo. Edda, Fernanda, and Mary are all dressed in clingy, revealing, "sexy" evening gowns. Xiulan is in a baggy turtleneck and loose jumper (sleeveless dress worn over a shirt/pinafore).

Edda and Amos pop by (where did Amos carry Edda off to, exactly? and why?) to say hello to Hugh and Xiulan and say they are going home to... eat home made spaghetti. It's set up like Edda's going to announce their plans to flee and fuck, of course. No, no. It's spaghetti. The fucking comes later.

Edda... invites Mary home to eat spaghetti with them?

Everyone else leaves, with Hugh and Xiulan remaining at a large table... in a dance hall?

I mean, I'm assuming this is one of their much-beloved Tango Salons since McEldowney established fifteen or twenty years ago that these folks attend them regularly. However there is literally no way any recent and/or casual reader would ever know that.

Mary and Edda ran into each other in a white void, discussed Amos in a white void, talked to Amos in a white void.

Edda and Amos, in different clothing, danced in a multicolored void. Mary, similarly attired, joined them in the colorful void. More characters joined them. The only furniture? A piano, a large table, some dining chairs, and a glass of wine. Ok, a glass of wine isn't furniture. Set piece.

It remains unclear how Mary found them there. Did they plan to go there together? Did the three couples plan to meet there? Did all seven of them plan to dance together? Why on earth would you get dressed up, travel to a place, dance one dance, then go home? Why on earth would you get dressed up, travel to a place, dance one dance, then go home to eat spaghetti?

This kind of... feels like Mary was ritually humiliated and now that she's been torn down to mud she can be permitted in their home. Assuming she wasn't in their home before. They may have all been standing on a street corner, or in a cafe, or in their living room. Waiting for a bus. At the zoo. At a different dance hall.

Tomorrow's Thursday. What will the strip bring? More Mary? Some kind of flash back to toddler-aged Amos and Edda discussing conceiving children? Edda and Amos as adults eating ice cream and riding ponies without their children? Mark proclaiming his finally-realized love for Janice or some other girl? A talking cat being wrong about grammar?

I'm tired.
brigid: (9CL)
[personal profile] brigid

2-17-2023

And once again...



Fernanda was an EXTREMELY skilled professional ballet dancer whose career was cut short by a severe knee injury. I mean, she was in her prime. Famous. It’s a huge tragedy, an abrupt derailment of her entire life.

It was mentioned in passing then never brought up again.

Her knee will NEVER have the strength, flexibility, or range of motion it once did no matter how much physical therapy, exercise, stretching, etc. that she does, and it’s prone to re-injury.

Tango is a dance that involves the kind of twists likely to re-injure her knee.

Perhaps that’s why instead of dancing Seth is waving her around in the air. Flapping her around. Just whipping her around. Sweaty dancers slipping closer to feel the breeze of her passing.

I just... she's a collection of body parts loosely wired together, flopping around. This isn't how bodies work.

McEldowney has spent all this time rubbing his characters' sexy One True Love relationships into the Single Sad Lonely character's face but he made that character to so what's the point? What, sincerely, is the point of all of this?

Especially as he could be spending this time telling a story exploring, say, what it's like to have your career end over a decade before it should have because you fucked your knee up. What's it like to have the one thing that defines you taken away from you? To have what you love destroy you? To fall in love with, and marry, someone who's doing your dream job every single day. She's married to her former dance partner. He, older than her, is still dancing. She can't dance. What is that like? Her dancing is what initially attracted Seth to her. Now she can't dance. How does she feel?

And, God help me, I just realized that McEldowney ended her dance career so that Seth would have to admit he loves her womanly self not just her ~~artistry~~. He can't be in love with the way she dances if she can't dance.
brigid: (9CL)
[personal profile] brigid

2-15-2023

Wow, Mary, you're missing SO MUCH!

If only you'd committed adultery with the RIGHT person you could be humping your way across a tango salon RIGHT NOW!
brigid: (9CL)
[personal profile] brigid

2-14-2023

"I'm a gay man, but I'm meeting my female wife here later."

"I'm not sure that's how "gay" typically works, my guy."

"Ah yes but I love her and by "love" I mean "worship." As one does. Describe what I love about her? Sorry, hard pass."

"Damn, you ALSO like to swing your wife around wildly making fuck eyes at each other in public?"

I didn't notice yesterday but she was so shocked that he's gay that her neckline changed. Or else she was wearing a choker that she removed?

Anyway, McEldowney has a really weird idea of what "love" is, as it's almost entirely both physical and worshipful.

What does Amos love about Edda? Other than her legs and her toe cleavage? January 29th, 2023 has a sweet strip that shows a non-physical way that Edda makes Amos feel: when he's down she brightens his mood, his life. He doesn't feel alone when he's with her (while that may sound weird, it's very possible to feel lonely or alone even when you're around a lot of people). But other than that we don't know that much about their relationship other than that they like to hump on table tops and atop musical instruments on stage, and they enjoy humping while tangoing. They share some common interests, but what do they like about each other? What do they talk about? How do they describe each other to other people? Let me tell you, there's a LOT that I could ramble on about that I like, that I love, about my husband. And I could talk your ear off about various friends and family members of mine that I love, too. It should be easy to say what you love about someone.

But McEldowney's lovers rarely say what they love about their paramours. Instead they recite words from a damp-paged thesaurus.

There's absolutely ways to say "Yes, I primarily am attracted to and fall in love with men but I love Fernanda because of X, Y, and Z reasons" that don't involve vague "weakness" phrasing.

The ONE WORD he uses to describe his feelings toward her isn't "love," it's "worship."

When folks talk about "worshiping" their loved ones it generally means they don't see the person as an actual person. They're projections. It's easy to love a projection. A statue teetering up on a pedestal doesn't leave dirty socks on the floor or chew too loudly or leave clean dishes in the dish washer instead of just putting them away. That statue doesn't leave hairs in the sink or run late every morning. That statue is at constant risk of crashing down.

Seth was initially attracted to Fernanda because of her dancing. That's what he claimed, at any rate: it wasn't HER, it was the way she expressed her art. He is also a dancer, they were fellow professionals at the top of their game. They shared something in common not just in general but every single day when they practiced and when they performed. They shared a pool of friends. Seth and Edda showed Fernanda around the city and spent time with her as a very passive aggressive way of getting back at her for being a homophobic asshole to Seth previously. (This paid off by her continuing to be a homophobic asshole to people, especially Mark.)

Fernanda injured her knee and can no longer dance, at least professionally. Her ballet career is ended, although we haven't heard that Seth has retired. If he was attracted to her ART then what attracts her to him now that she's no longer capable of expressing that art? And frankly, how does she feel that her dance career was cut short while his is still apparently going strong?

Now, I'm 100% sure that "my ballet career is over, I'm hobbled for life, I will never dance or walk the same ever again" for Fernanda is a hundred thousand times more athletic and graceful than I've ever been ever in my entire life including when I was dancing competitively. Of course Fernanda can dance the tango in ways I can only ever dream of... hell, in ways so far beyond me that I can't even dream of them.

But she's not the pure distillation of art any more.

What does Seth do with her other than worship her and engage in sexual behavior in public?

Anyway, I don't know if Mary's "Wow!" is a reaction to Seth stating that he worships his wife or if it's a reaction to how hot she finds Fernanda but I'm sure we'll find out as this drags on and ever on. It's only Tuesday. What other man can still wander in and reject her?
brigid: (9CL)
[personal profile] brigid

2-10-2023

Is there a reason you shouldn't ask to cut in?

Is there a reason you should?

Amos doesn't remember you and Edda has been insulting you this entire time. Why would you want to cut in?

Anyway, it's probably for the best you haven't cut it... Amos just broke Edda's back, thus needing to carry her off.

Some folks have been talking about them having a threesome but that's not going to happen, McEldowney has some pretty glaring sexual hangups and a big ol' slutty adulterous slut like Mary is never going to grace the bed of these two destined pure lovebirds.

Art wise... Mary's legs are too short which is surprising given McEldowney's usual focus on legs. Her arms, meanwhile, are terrifyingly too long. Should I create an egregiously bad art tag? I don't know.
brigid: (9CL)
[personal profile] brigid

2-09-2023

Note how Edda's gown is both utterly skin tight, clinging to her and highlighting her curves and also extremely voluminous and billowing with every move while still clinging to her buttocks.

I'm not EXACTLY sure what's going on w/Mary's skirt there. It's got a double slit, one on each side? One side slit but she worms her legs around so it slithers over the forward facing thigh as she walks? Like is she just wearing a really long loin cloth here? Is that her dress situation? A slit up her skirt on each side with the material in the center trapped between her thighs as she wriggles her way painfully across the floor? How is she MOVING? And why doesn't she know enough to maintain a distance from dancers?

Edda and Amos flail wildly as they dance, Amos swinging Edda around and throwing her into the air only to catch her and toss her backwards etc. Really they should be swing dancing or something, but there's no sexy accordions with swing dancing as far as I know.It must be deeply, deeply unpleasant for everyone else there. Just... these two humping on a piano then careening wildly around the room legs and dress akimbo before they start humping on a chair.

How many tango salons do you think they've been banned from?

And how would Mary know they're there? She slumped off, defeated, the last time we saw her (ok, time before last). Then these two donned evening wear and went, alone, to a tango salon. She doesn't know any of their friends!t's not like she can ring up Seth and be all "Hello, my fellow adulterer. Do you know where Amos, a married man with twin children who makes his living as a cellist, spends his evenings? Because obviously it's not at home with his small children!"

McEldowney tries to have it both ways w/Amos. He is an absent minded dork with poor social skills who is extremely literal in ways that many people find baffling if not insulting, skinny and chinless and balding, and also so appealing that multiple women have tried to seduce him.Isabel Florin, famously sexy slut and amazing pianist; Xiulan Goldaming (nee Yuan), unbelievably wealthy Chinese woman and amazing cellist; Mary Rosenzweig, childhood crush and flautist.

These beautiful women have all attempted to seduce him WHILE HE WAS IN A RELATIONSHIP.

In a relationship, I might add, with an incredibly beautiful and graceful accomplished young woman who speaks French, was a professional ballet dancer with an elite ballet corp, was a professional model, plays piano at a professional level based only on private music lessons as a kid and a lot of practice, plays viola, & I'm sure there's more I'm forgetting.

I mention the private music lessons because Amos didn't just major in music. The gifted motherfucker went to Julliard. He plays multiple instruments, he composes, he orchestrates, he conducts, he does EVERYTHING. He STUDIED this shit. He lives and breathes music. Edda took lessons a few times a week and banged around on a piano in her home when she felt like it, and she's somehow on par with him, and with his intensely-trained highly educated peers.

I get it, I get it. Amos is a self-insert, a dorky nerd who is appealing to women somehow. (It's me, I'd find him appealing in real life. My husband monologued about Sauron for 1/2 an hour last night.) But yet another installment of "a hot chick throws her dripping wet panties at Amos while Edda frowns disapprovingly and then humiliates her somehow" is pretty boring. And insecure.

And the worst thing about this strip... the absolute WORST thing about this strip... is that a sultry lady slinking panel by panel toward the viewer and then being thrown awkwardly off balance should be funny! But it's done so poorly here that it's not!!!

What would have made this funny is if the thing that threw her off balance was a completely different dancing couple and one of them was dipped so Mary was avoiding their HEAD or maybe an extended arm, not a kicking leg. Like she's so focused on slinking toward someone that she doesn't notice the chaos around her and said chaos interrupts her slinking but not in a, like, VIOLENT way. And the dancers DO NOT NOTICE HER AT ALL. She's not in their world. She's just another person. That would, yes, require drawing other dancers and perhaps hinting at the existence of a back wall or something. Maybe one of those sexy, sexy accordion players (NOTE: accordion players are pretty sexy people based on the accordion players I know. Charming and funny, too).

It would also not involve what looks like a direct attack from Edda.

Again, I'm REALLY hoping that Mary is there to see someone else because dang it doesn't make sense for her to be there on Amos'. We've already established it doesn't make sense to pursue Amos. He's married, he's happily married, he has no interest in her, Edda was her best friend who treated her decently enough (except for never telling Amos to stop stalking her).

Some people might be holding out for a thruple here, but given how uptight McEldowney is about people having the wrong kind of sex (it has to EITHER be IN WEDLOCK or between two heterosexual people DESTINED TO BE TOGETHER) it's not going to happen. Given the contempt Edda feels for most women it's absolutely not going to happen.
brigid: (9CL)
[personal profile] brigid

2-8-2023



I just... I mean. I'm not even going to discuss Edda's anatomy here.

Ok, that's a lie, I am. Look at her. LOOK at her.

Her pelvis has to be like two feet wide for her hips, and thus thighs, to be that far apart.

Amos is holding her up by one thigh and her hand, or else she's actively launching herself groin-first at him?

The way her waist is twisted, and the length of her torso?

Professional artist and comic-strip-er David Willis broke her leg issues down on Twitter.

Anyway, one of the big issues with not having any backgrounds while also having poor pacing is that it looks like Mary is in her bedroom or some sort of sitting room or maybe she's powdering her nose in a fancy bathroom? And then she leaves that room and will enter the room that Amos and Edda are alone in. The empty vacant room that's attached to the room she was in previously.

McEldowney could have given her any hairstyle, any hairstyle at all. It's been ten years since we've seen her. She could have grown her hair out. She could have curled it. She could have gotten an undercut. She could have bleached or dyed it. Instead her hair has remained essentially the same except now she's "styled" it to look like Mark's or Janice's, or like Isabel's hair but straight and spiky instead of curly.

What I would love - what I would absolutely love - is for Mary to just be goth, you know? She just so happens to be at the same tango salon meeting someone else. Edda has some kind of confrontation only to be shot down by the fact that Mary doesn't actually plan her life around Amos and Edda. Like Mary enters, Edda marches over and starts lecturing her, someone intervenes and asks Mary if she's ok and they go off together.

But that won't happen.

Not when there's a chance to further humiliate Mary, I guess.

Is it worth making a tag for broken anatomy?
brigid: (9CL)
[personal profile] brigid

2-7-2023


Oh man, this has it all:
Edda humping a piano
Edda in a skin tight evening gown
Edda's bare leg
Amos looking dapper, playing a musical instrument
Edda talking floridly of sex
Amos talking floridly of sex
Tango/Bandoneon

All that's missing is an audience made up of people fucking on top of tables while small children provide commentary.

Anyway, I'm sure it's meant to be romantic/sweet/sexy that Amos is casually saying he'd cheat on his wife with Edda were he to have wedded someone else but it's actually kind of gross ... especially given just how much adultery is complete anathema to Edda. Well, when other people partake in it, I guess.

It's rich saying she's never thought of him as "so sinful" when this motherfucker spent a week licking her feet on a New York sidewalk in front of passers by. If that's not sin then I don't know what is.
brigid: (9CL)
[personal profile] brigid

2-6-2023

A hoof.

She has a hoof.

Anyway...

I cannot restate this enough times: Amos had an engagement ring in his pocket (for Edda) when he met with Mary to proclaim his love for her. He then vomited, which proved he loved Edda.

You know, normal relationship stuff.

But he was hung up on her into adulthood. She was the what-if for him and he’s the what-if for her apparently.

People growing & changing is GREAT and it’s an interesting story.

That’s not what we got, though. We got Mary being humiliated so Amos can declare his love for Edda.

Edda wasn’t “his universe” in school. They both had crushes on other people, she actively dated a lot of guys. That’s normal. And it’s ignored. And that's a shame, because "friends realizing over time that they love each other and also are IN LOVE with each other" is really interesting. "Two people always destined to be together drift into a marriage and kids and perfect career together" isn't that much fun. I mean, it CAN be if they have to overcome obstacles but they didn't have any obstacles but themselves.

And the ultimate “punchline”, apparently, occurs the Monday after that story line is seemingly resolved because this man SUCKS at pacing.

Or we’ll have another week of them declaring undying love with legs splayed all over the place. I really am not in the mood for a week of Amos describing how much he loves Edda using the most florid, purple prose he can possibly dredge up. Somewhere their battered thesaurus is weeping over its broken spine and dog eared pages.

Meanwhile, here Edda is looking like a Barbie doll that's fallen out of a toybox, hips moving in ways human hips can't move. It's so important that her entire leg be visible that McEldowney mangles her foot (hoof) and has a speech bubble coming out of her cootch/Amos' lower back so it's not obscuring anything.

Which brings us to, you know...
brigid: (9CL)
[personal profile] brigid

1-31-2023

Alright. We have more of Edda and Mary.

Mary was Edda's best female friend in grade school and high school. She and Amos vied for primary best friend role. Not, you know, not directly - they didn't actually compete for the role - but Edda treated one with more respect than the other here and there. Edda and Mary took dance lessons, including ballet, together. Mary also plays the flute. I don't know if they've performed together, but it's another thing they have in common.

One thing that young Edda did NOT do was EVER tell Amos to stop actively stop stalking Mary, something that Mary actively, repeatedly, consistently stated that she did not welcome and that she wanted to end. This despite how much influence Edda had with Amos. Amos' stalking of Mary pretty much only ended when he and Edda became involved and he left for Julliard.

Edda and Mary went their separate ways when Edda left school early to join the Ballet Corp in New York City. They apparently stayed loosely in touch for a while because at one point Mary came to NY and stayed with Edda and Amos in their apartment while she was in town. Edda was worried that Amos would be distracted and want to bone Mary, while Amos claimed to not remember who Mary even was.

Other than that brief trip, however, we haven't seen them interacting. It hasn't even been hinted at. In yesterday's strip we see that Mary didn't even know that she'd had children, a high risk pregnancy that involved a hospital stay and rushed surgery. She didn't know what Edda did for a living. And Edda somehow doesn't know that Mary has been married not once but twice. She didn't get invitations to any weddings? It feels like Edda is recreating the relationship that Juliette has with her gal pal Rosie, who she apparently only ever speaks to (via phone) when she wants to feel better about herself by bragging and feeling Rosie's jealousy.

I want to pause a moment here, I want to point out that Amos contacted Mary before he and Edda got engaged. He wasn't sure if he actually loved Edda. The only person he'd ever felt besotted over had been Mary, so he called her up. They agreed to meet. He suggested they date. She agreed. He projectile vomited. They each accused the other of betraying Edda (he for suggesting it, her for agreeing to it). Amid the vomit, Amos decided that he actually was in love with Edda after all.

One more thing to point out: Edda's dad ruined her life by generally being a self absorbed asshole but specifically by cheating on her mom (and her) numerous times. Edda is understandably traumatized by this, even if her reactions in general are a little extreme at times. Is "ruined her life" really accurate when she grew up in a supportive, loving home with a stable parent? When she never had to worry about having enough to eat, about payments for utilities, about losing her car or her home? When she had access to a high quality private education, foreign language classes, ballet and other dance classes, piano and viola instruction, judo classes? Maybe "ruined her life" isn't accurate but he did fuck her up pretty badly.

Now that I've poured out that little infodump let's discuss this strip.

1) They're relatively young for Mary to have been married and divorced twice. It absolutely happens! But it comes across as, I don't know, Mary getting hitched really young the first time; as something she rushed in to without much thought.

2) Mary reveals that her first spouse had two affairs, which really sucks. That's a bad thing to go through. And with her second marriage it was Mary who had the affair. And that's interesting, you know? Is she just an affair person, and her first husband simply beat her two it? Did she have her own affair because she was insecure or afraid? Was she married when Amos made his little proposal? I don't remember, although she WAS in a relationship, I believe. But this takes her from "victim" or "prey" to "predator." We see that as the revelation that she had an affair segues directly into her asking after Amos... her former best friend's husband. Ordinarily it would be a pretty innocuous question. In this case, though, it's apparently a way to scent around for clues that he's eager to put his dick anywhere he can. And the WORDING! "My first husband had two affairs... and with the second I had one." That's not how people talk! "My first husband had two affairs... but I'm the one who had the affair in my second marriage." That's how people talk! And it should be said over two panels!

3) Edda jumps to that conclusion, at least, when she states that he's "affair proof." Frankly, if I was catching up with an old friend and she responds to me asking about her husband with "lol he won't fuck you" I'd be, you know, a little offended. But hey. Edda may fuck on top of tables in diners, and may engage in a little consensual toe fucking on a city sidewalk in front of numerous lookers-on, but she draws the line at someone thinking about her husband's boner.

4) "It's always best not to look disappointed when you're told that" is a long and tortured way of saying "oh, don't look so disappointed," an actual thing that actual humans might say. And, again, this is either a pretty big leap on Edda's part concerning a mild inquiry about her spouse and thus a pretty big insult to Mary OR Mary's a gross weirdo Edda should walk away from permanently.

This strip illustrates 2 core dynamics of the comic, namely:

1) Edda has no real friends. She has Xiulan, who we rarely see actually talking to or interacting with any more; and she has Seth, who she objectifies and is weird about. We know that Seth (and Mark?) babysits her kids but we RARELY see any actual interactions. Edda orbits Amos and that's it. To be fair, he orbits her with no other stars in his galaxy. But Edda seems to really be replicating her mother's social dynamic: isolated, no friends outside of her immediate family. Fernanda Jons popped up, fucked Seth on sidewalks and in bath tubs, married him, and then vanished without any actual real interactions with Edda... certainly none that continued long term.

2) Amos is the height of masculine sexiness for women. Sure, there's a lot of weirdly lumpy hunks the women go apeshit over, but Amos is like... the ideal. The two other male musicians we see, his peers, are fairly repulsive to most people. Violist Burkhardt Kriegl is a weird womanizing piece of crap who emotionally manipulates women and has no friends other than his lover (?) the pianist Isabel Florin. Pianist Hugh Portwhistle Godalming is completely lacking in social graces and utterly oblivious to the contempt his peers hold him in. Edda and Amos like him or at least put up with him because they're friends with his wife Xiulan. Isabel and Xiulan are two of the women who were constantly throwing themselves at Amos with absolutely no encouragement on his part.

These past two strips both have a "punchline" of Edda triumphing over Mary where Amos is concerned. But it's coming completely out of left field. There's been no discussion of Mary, no discussion WITH Mary. Nobody's been reminiscing about The Good Old Days when Amos stalked Mary. I mean... McEldowney has dragged us down an interminable amount of flashbacks regarding Edda and Amos discussing fucking as small children but Mary hasn't featured in any of them. There's been absolutely no reason at all for Edda to have even the slightest bit of concern over Amos' fidelity; no risk whatsoever to their marriage; no threat to her perched atop the ivory throne on which he's stationed her.

In January we jumped from that uncomfortable "we're going to conceive ALL the babies/the hokey pokey is our fuck song" flash back to a story line about Edda and Amos fucking while playing music to two comics about Amos' underpants and then a scraggly handful of things where they kind of sort of interacted with their kids to... this. Mary as a defeated rival just out of nowhere. It doesn't make narrative sense.

And artistically can we discuss what's happening? It's three panels of talking heads and one panel of talking legs. They might as well be sitting on a couch in front of a tv while playing video games, a sentient air fryer lurking in the background waiting to spout a "yo mama" joke or say something about boobs. These two could be doing ANYTHING. They could be ANYWHERE. They could have run into each other at a bus stop, people and buses coming and going around them as they take a moment to catch up. They could be at a diner, fiddling with food/drinks to indicate their emotional state. They could be at a gym where Edda dances/leads a class and Mary does yoga and they each didn't realize how geographically close they were to each other. They could be sitting in a doctor's waiting room where Edda is waiting to confirm/deny/check on her potential pregnancy which was brought up months ago, while Mary is also waiting for same or to start/continue infertility treatments. They could have run into each other at the park, Edda with her kids and Mary with a dog. They could have run into each other at a park, Edda in a damp sweat suit as she jogs to stay in shape/because she likes moving and Mary in a business suit as she eats lunch out in nature between clients because she's a hard working attorney with almost no time to herself.

Instead they're strolling around some indistinct void dressed like they share a closet infodumping about themselves to the other.

Personally? I'd set this in a diner. Not the one Edda et al go to fuck in.

P1: They're sitting down. Edda asks how Mary's been. Married twice, divorced twice.

P2: They're facing each other. Mary states that her husband had two affairs in her first marriage.

P3: Instead of legs the camera focuses on the table, their hands. Or at least on Mary's hands. She's fidgeting with something, uncomfortable. She's the one who had the affair in the second marriage.

P4: Back to faces. "How's Amos?" "Affair-proof" as an answer I guess. It's a bad answer. It really is. It's a bad response. "Try not to look disappointed" is worse.

Ending it with just "How's Amos" is strong, though. It's a question that can go manyways: is she asking because she's interested in an affair with him and is foolish enough to display her hand to his wife? Is she asking because she's worried that he's having an affair because that's how men are? Is she asking because she's pretty sure Amos is faithful and she's a little wistful about the solid marriage that Edda and Amos have? Is she asking as a way of changing the subject? Is she asking because that's a normal thing to ask someone?

McEldowney treats Mary as a slut, though. She's a gross icky sex-haver who wants to have sex with Amos and is an adulterer and wants to adulterize with Amos. It's so blatant and so judgemental and he brought her back specifically for this I guess. Edda and Mary could be having a lovely get together where they catch up and we see character growth for both of them. It could even be unlovely in that they disagree about things or get into a fight, but still stem from and further develop their characters.Instead we just get "here's Mary. Remember her? She's a ho."

It's so lazy.
brigid: (9CL)
[personal profile] brigid

1-30-2023

This should have been at least two strips.

What we have right here is:

Edda and Mary run into each other by accident? They're meeting as planned?

Edda gives a quick infodump about her life.

Mary makes one of the most convoluted statements it's possible to make, humans just... don't talk like this. Anyway, she basically asks Edda to brag about Amos.

Edda... recognizes that Amos could have wound up with Mary?

Edda and Mary used to be best friends. They had a long history that included Amos being obsessed with her in high school, and later as adults Amos turned to her and proposed essentially an affair as he was trying to figure out if he was actually in love with Edda or not. He said "let's do it," she said "ok," he began projectile vomiting from stress.

Will either Mary or Edda bring this up? Is that the "road not taken" reference? Or is it a general "you snooze you lose" type thing? Amos, I want to reiterate, was a gross stalker in high school. He was a real late bloomer.

Anyway, this really should have been at least two strips and hopefully we'll see more of this. What HAS Mary been up to? How HAS she been? REALLY? Because right now she exists solely as a narrative device for an infodump and to, I guess, talk about how desirable Amos is?

Imagine this whole thing with room to breathe.

1) The two meet up and embrace in a way that doesn't look like they are about to, or have just finished, a tongue kissing session. Edda asks Mary how she is. Mary answers in a way that indicates the two have been in regular communication.

2) Mary asks Edda how she is, and Edda talks about having kids and what she and Amos do for a loving. Not "oh by the way I have twins," because the two of them have been in contact at least once over the last five years. No, she mentions something specific about her kids/parenting.

3) They both talk a little more about their lives. Again, it's them catching over about the past few months - not years. They're still friends. They still talk. They're adults but still are in each others' lives. Edda has female friends other than Xiulan.

4) As they're parting ways Mary ponders life with Amos. Edda can get off some kind of bon mot about roads not taken or two roads diverging in a wood or whatever.

5) Edda goes home where she greets her husband and children. It's just... a domestic/family thing.

The strip as-is feels very rushed, crammed.

It's only Monday, we might see more of them talking. I don't know. I hope we do. But this strip is just so clunky.
brigid: (9CL)
[personal profile] brigid

1-23-2023

There's a lot! Going on! Here!!

I assume he's referencing a strip or strips that he's got a beef with, the way he's beefed with "Doonesbury" (in a very one-sided way).

The other explanation, of course, is that he's poking fun at his own strip.

If he uses this as a springboard to get out of the constant fucking and back to stories I'll be thrilled.

Because here he is, the Monday after a full week of "erotic music playing" strips that culminated in Edda essentially wearing lingerie on stage, talking about strip creators who run out of ideas and just do the same thing over and over. Apparently afraid that THIS strip is running out of ideas Amos shreds his turtleneck and throws himself upon Edda's sexual mercy.

Is he wearing pants? Did he rip those off as well, or was he just wearing a long coat? A turtleneck dress? This is really the best "new idea" he could come up with? More sex?

Well, Amos wearing less clothing than Edda is different, I guess.

The two of them acting sexually outside isn't, though. I assume they're outside, they're both wearing coats. But really they could be anywhere.

But! Let's focus on the most important thing!!

HOW can one mention Richard Wagner underpants AND THEN NOT SHOW THEM? Comic strips are a visual medium! We didn't even get a background here! Just Amos in white boxer shorts (white trousers?) and then a description! Is it the BACK of them that's decorated? What are they decorated with? His face? A Valkyrie helmet? Some iron crosses?

One can also ask how one's spouse can remain unaware of this sort of novelty undergarment, or why one would not include their spouse in the "select crowd" that knows they exist. One could. If one felt so inclined.

I have to wonder if he's a member of a "classical composer underpants of the month" subscription service, a service which could probably milk some money from a certain kind of nerd.
brigid: (9CL)
[personal profile] brigid

1-21-2023

"Da Capo" means "repeat this bit" or "start again," often "start again from the beginning."

"Porte-jarretelles" is a garter belt.

"Start over, wearing a garter belt.

This, again, isn't surreal.

At all.

Even if these were two average random musicians it wouldn't be surreal.

It's literally an excuse to show a woman in a negligee of a formal gown with a garter belt on her exposed thigh. She might as well be in lingerie. Amos, of course, isn't wearing a garter belt. He's not wearing short-shorts with his sexy gams on display. Both of them with exposed, be-gartered legs would at least be INTERESTING and a break from the norm (of predominantly seeing exposed lady-legs).

And once more this isn't surreal because they do this constantly it's their daily behavior all they do is hump on pianos.

I appreciate that McEldowney has been playing with more expressive poses and body language. That flourish with her arm in the first panel? They both look more animated than they have in a while. That said, both her butt and her chest are not drawn great. Her sit-upon in the first panel looks like someone crafted her bum out of a ball of clay and gave up smoothing it out halfway through. It's just a round lump. And her chest? McEldowney's been drawing her boobs a lot more often lately but he doesn't draw them well. He's got like... one good boob and one boob melting off to the side.

I just... really want a return to non-public-fucking story lines and character inter-actions. He has SO MANY characters who, in theory, are doing interesting things. A ballet dancer! Who has wanted children for decades! His former professional ballet star wife who's been injured badly enough she can no longer dance professionally and now teaches! A famous prodigy pianist who's a huge self-absorbed asshole and is about to be a dad! A famous super-wealthy Chinese cello player from Hong Kong who's about to give birth! A country vet wants to have a child with her massive poet-scholar husband! A former nun and her former priest husband have 10 or so children are about due to have another one! Gosh a lot of this strip centers around women getting pregnant/wanting to get pregnant/having kids they barely interact with (in some cases not even remembering their names)!

I want so much to see Edda and Amos actively parenting in the way that human beings actively parent. I want to see their kids interact with other kids and I want to see them interacting with other parents. There is so much low hanging fruit! It's so low hanging that it's on the ground! You can't walk without tripping over it! And yet! AND YET.

Gosh, this went long.

Anyway, the ultimate punchline to this week was "Edda was wearing a sexy garter belt this entire time, surprise!"
brigid: (9CL)
[personal profile] brigid

9-30-2007

I thought I'd share some of the music McEldowney references in his strip.

Borodin's Nocturne String Quartet No. 2:


I'm not that familiar with Alexander Borodin's work and I need to rectify that. This is lovely.

Brahm's Intermezzo Opus 117 Measure 1:


Debussy's Clair de Lune:


Lehar's Komm, in den kleinen Pavillon:


Tchaikovsky's Adagio cantabile from Souvenir de Florence:


Mahler's Ruhevoll from symphony No.4:


If you're not familiar with this piece, note that it starts extremely quietly.

Rachmaninoff's 18th variation rhapsody on a theme of Pagannini:


I'm so used to seeing classical musicians in suits/tuxedos and evening gowns that seeing them in t-shirts kind of threw me. Felt like I was back in high school. I could smell the chalk and wet brass.

Anyway, this is from a period of time before their marriage when Edda and Amos weren't having sex and it was a sad horny desperate time for them. Don't worry, people were still humping in public places/in front of people. (Although that story line does have this very touching scene.)
brigid: (9CL)
[personal profile] brigid

01-01-2023

Happy New Year! Let's all settle in for a month of writing the wrong year every time we have to write the date.

The Van Hoesen family is celebrating their entrance to 2023 by romping on their own private tropical island. Again.

"How can two professional concert musicians afford family vacations on private tropical islands," you ask? I figure it's one of those fake islands like the one Wilbur Weston discovered when he fall off a cruise ship in a drunken stupor. Those trees are fake, the coconuts in them are fake, and there's a swim-up bar just off panel.

There are people who are reading this strip as a valid joke, that the punchline is Amos screaming about his wife's ass to nobody. And that's, you know. That's a punchline, I guess. Just Amos shouting to nobody and everybody about how sexy his wife is, ultimate Wife Guy move.

But what would be FUNNY would be actual people there with them. What would be FUNNY would be a group of other vacationers all quietly doing their own personal thing and not paying any attention at all to the absolutely normal family doing absolutely normal things and only looking over at them when Amos starts bellowing about his wife's behind, drawing attention to it.

Considering how much they like attention while fucking this would just be foreplay.

I mean, either way Amos is a punchline, but one of those jokes requires McEldowney to put in the work of drawing other people. He really only does that when he needs witnesses to his characters doing something erotic in public.

Their New England beach visits, their tropical island beach visits, their swimming pool visits, they are all completely devoid of others even when Amos or Edda refer to other people (usually in context of Edda being so sexy people are staring at her). Their lake/pond visits sometimes have supporting characters there too but usually they don't.

But whether there are people there or not, White Knight True Paladin Amos is hollering about his wife's sexy ass right there in front of his children, ice cream dripping down his arms. These are the childhood memories his children are forming.
brigid: (9CL)
[personal profile] brigid

12-30-2022

It's December 30th.

Tomorrow is New Year's Eve, and I'm still looking forward to a Juliette/Edda/Twins jumping bit. I really hope we get it. Or Amos/Edda/Twins I guess, but I love the connection between the women and we haven't seen Juliette in a while.

But today? Today it's December 30th.

Or, I don't know, maybe it'd December 17th, when she was posing with mistletoe atop a large mirror-polished black grand piano, wearing a black leotard and pink tights, her short hair in a small bun, while Amos in a tuxedo sits at the keyboard.

The alternative explanation, of course, is that she and Amos just have a complicated THING involving performing arts and fucking.
brigid: (9CL)
[personal profile] brigid

12-25-2022

Merry Christmas!

I was up too late putting together my kid's stocking, finishing wrapping Santa presents (I have special "from Santa" tags on twisted red and white string with jingle bells), and taking a shower so I wouldn't have to take one in the morning.

We've spent today unwrapping presents, drinking coffee, and nibbling on breakfast bacon and bagels, and various cookies. The Great Christmas Lego Assembly has started for my kid and my husband, and I'm going to start mine after I've played some computer games. We're doing charcuterie and sparkling cider, and coke in little glass bottles, for lunch/dinner.

I've once again stated that once all of our wrapping paper is used up I'm going to switch to festive cloth wrappings. Will this actually happen? Who can say! But we've got a trash bag full of brightly colored paper that can't be recycled and I've got guilt whomps when I look at it.

Like many people we have Christmas traditions. Ours were scaled back this year for a number of reasons, including making cookies and leaving some out for Santa, but we still have traditions especially ones that center around our kid.

The Van Hoesen family Christmas tradition is fucking.

The Van Hoesen family Christmas tradition involves donning various Christmas-related attire and then fucking, possibly within earshot of their small children, or in a location where their small children will stumble upon them.

Do they have any non-sexy Christmas traditions?

Do any of their Christmas traditions involve their small children?

We got a grand total of two strips with their kids in it this month. One involves them watching their parents make out under the mistletoe on a swing set then asking if THEY can make out under mistletoe. The other involves them informing their father that their mother requires him to watch them as she's "at a conference" (cavorting with Daphne the dog someplace where there is no snow).

We had multiple flash-back strips where child Edda and child Amos endlessly discussed conceiving children, and two current-time strips with their actual children.

We had more strips featuring a talking cat who's never been in the strip before than we've had strips with Edda and Amos' children.

I'm not even going to mention the legs legs legs and tortured anatomy against the swirled barf background.

Merry Christmas, everyone!

Try not to think of these two dorks rolling around in a pile of prickly, sticky pine needles and shattered glass ornaments as they fuck wildly, their kids in the next room!

Santa Baby

Dec. 24th, 2022 01:11 pm
brigid: (9CL)
[personal profile] brigid

12/24/2022

Merry Christmas Eve!

I don't know about you, but we're spending the day making and eating Christmas cookies, watching "Wizard People, Dear Reader," and my kid has already opened the one-present-on-Christmas-Eve gift.

Later tonight I'll fill our Christmas stockings with candy and small gifts, leave some cookies and milk out for Santa, take a shower, and go to bed.

Of course, I could also dress in a wrinkled red negligee, cram my feet into my children's Christmas stockings, and proposition my husband. It's VITAL that I bring mention of my children into this, because it's "9 Chickweed Lane."

At some point I might go back through the archives and double check how many Christmas-related strips there are since the twins were born, what percentage of them involve fucking, and what percentage of THOSE somehow involve the twins being around/commenting on/etc. Edda and Amos fucking. Because although this is based purely on ~~vibes~~ I suspect the percentage of fucking-with-kids-involved is pretty dang high.

Which is gross.
brigid: (9CL)
[personal profile] brigid

12-23-2022

It's the day before Christmas Eve and we finally see Lolly and Polly! The two adorable scamps are dressed in matching green dresses, because their parents have decided to lean HARD into the creepy twin thing and not permit them to have distinct personalities, and Amos is there in the same sweater he's been wearing all week. So presumably he's been hanging out chatting with the talking cat who wrote a novel, and also his breath I guess still smells like a shit-smeared anus.

Edda, a former professional dancer and model who apparently supports herself and her family now by playing piano in concerts and sometimes... working as a temp floating from place to place to play piano?... and who turned down a job offer to teach a music class at a prestigious private school, doesn't attend conferences. So why would she claim to "be at a conference"? It's a poor setup for the punchline.

And the punchline is, apparently, Edda at the Westminster Kennel Club Dog Show in some warm and sunny place with green grass and a blue sky? This is very obviously not NYC in December. Yet there she is doing that weird peppy march that dog handlers do when Showing their dogs, and there's Daphne (the white dog) being put through her paces.

Daphne, like Solange (the Siamese cat) and a few other cats (like the black cat that speaks English and wrote a novel) shows up a few times here and there but it's unclear who she belongs to. When she's depicted it's usually in a nature setting, like the open green spaces that Juliette lives in.

That's a bit of a digression, though. The main issue here, seriously, is that it's December and she's cavorting in a place with green grass and blue skies. There's a blizzard coating most of the USA right now and she's out and about prancing in the sunlight.

Merry Almost Christmas!
brigid: (9CL)
[personal profile] brigid

12-17-2022

The whole kiss-under-the-mistletoe thing is a tradition involving both romance and fertility, it's a kiss exchanged between couples that's a prelude to or a promise of sex and everything that entails.

Edda and Amos kicked off the most recent mistletoe story with a swingset while being watched by their young children. We end it with Amos cringing as he plays piano, Edda having mounted it and prepared, perhaps, to spring upon him.

One thing is very clear, though: They are going to fuck on the piano.

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