brigid: (9CL)
[personal profile] brigid

9 Chickweed Lane for 11-30-2022

The problem, once again, is this dialog doesn't sound anything at all like the way people actually talk.

"As it happens, I'm pregnant." "Am I permitted to say whee?" It's not clever or funny or well paced. It's great that he's not trying to imitate, say, Joss Whedon. Don't get me wrong. But his dialog used to flow better. I mean, he ALWAYS used too many five dollar words crammed into overly ornate sentences that wound up obfuscating his meaning about 15% of the time. I say that as someone who just used the word "obfuscating," by the way. Just to point that out. I, also, am an insufferable nerd.

Visually speaking, the strip starts off on a promising. There are two people. They are walking and they are talking to each other. We see both of their faces. They have different face shapes and different hair styles. The young teenager and the pregnant adult have the same body shape though. The writing gets off on the wrong foot, though, in a big way.

"I don't mean to question you so much." This is an oddly formal, and cold, way of putting things. "I don't mean to bother you." "I know these are personal details." "I know this is really intimate." "Sorry for all the questions!"

This touches on that old bit of writing advice to read what you wrote out loud to yourself. Is that how people actually say things? How does it sound to the ear?

"It's just that I've always worried what it will be like if I become pregnant." I automatically typed that as "it'll" because that's how most people talk. Not all! But most. "It's just that I worry about what it's like to be pregnant." "I'm just curious about what pregnancy is like." There's so many ways to say this that sound like conversation, especially conversation between a near-child and an adult.

"I've always worried what it will be like if I don't become pregnant." Now, I want to touch on something here, two things actually, but will save it for later. As it is, this sentence is awful. "I've always worried what it will be like." That just... he tried to set up parallel dialog, or mirrored dialog, and it doesn't make SENSE. "I've always worried what it'll be like" makes more sense.

The second panel we see them from behind for some reason. We can't see their faces. We can't see their expressions. This is a visual medium! They're walking more or less side by side... Edda is slightly in front and Diane has her arms clasped behind her back. They aren't touching, they aren't intimate.

"As it happens, I'm pregnant." Like... you could say "I've worried I won't be able to get pregnant... but here I am! Pregnant!" or "I never thought I'd be pregnant, but as it is, I am!"

Edda responds not with "congratulations!" or "how exciting!" or "Wow!" but with "How is it?" And I guess it makes sense in context because Edda's been asking what it's like to be pregnant but it still comes across as someone observing a specimen. It's detached.


"It's lovely." Ok, that's fine. Not exciting or scary or beautiful or weird or fun. Lovely. Sure.

"Am I permitted to say wheee?" Why would she not be permitted? Why would she say wheee and not congratulations? Why not say it's exciting? They put their arms kind of loosely around each other but it's not a hug. It's not real closeness. They're having this intimate conversation, or at least a conversation that SHOULD be intimate, but their body language is that of acquaintances who've reunited at a church function.

"I've always worried what it will be like if I don't become pregnant."

Diane took religious orders that included a vow of celibacy. Generally speaking, people who are celibate don't get pregnant. Miracles occur, both religious and scientific (surely there's people who are celibate who've volunteered sperm, egg, or uterus to help someone they love conceive and bear a child), and it's possible to have that choice forcibly removed as well and be impregnated against your will. But if you've always wanted a kid maybe don't take a vow of celibacy. That's a big BIG thing to consider.

The second thing I want to mention is that there absolutely ARE people who worry about not being able to get pregnant. There are people who are very upset at the idea of not being able to get pregnant. It's something that isn't depicted that often, especially in a complex way. I don't expect "complex" in this strip, but this is still something I'd like to see touched on in a respectful way.

McEldowney has touched on this twice with Edda. The first time was when she forgot pregnancy tests existed and assumed she was pregnant and was kind of crushed to realize she wasn't. The second time was when she and Amos were trying to conceive and it wasn't working immediately (even though she got a diagnosis of "superfertile"? because that's a thing?) What's frustrating is that the two story lines contradict each other. In the first one, which is longer and more detailed (both in writing/dialog and in actual art like backgrounds etc) Edda's doctor mentions that she may have a fibroid or fibroids which can affect fertility. She's also a ballet dancer and high end model who is extremely active and has a restrictive diet to keep her weight down. This is absolutely something that can and does affect fertility. A young couple who wants to have children but may not be able to is a potentially interesting story. "Whoops nope you're superfertile, as soon as I reveal this you'll become pregnant" is less so.

This "Edda has always wanted to be pregnant/wondered about being pregnant/worried about being pregnant" cluster of flashbacks is so poorly handled and muddled. It's extremely disorganized and unfocused. And it continues to feel like a guy edging toward something trying not to startle it or reveal too much. He's extremely focused on pregnancy and Edda being pregnant and that keeps leaking through whatever other story or fuckfest he's depicting. Like we get this incredibly jumbled nonsensical time travel anomaly thing that wound up mostly revolving around Edda's hot teenage daughters telling her that she's hot and then we're... doing flashbacks of child/teen Edda bullying Amos into promising to knock her up one day.

What I'm trying to say, once again, is that McEldowney either has a general pregnancy fetish or else it's specifically about Edda being pregnant. It has that furtive quality to it that his week long public toe-sucking story line completely lacked.

It almost feels like the foot fetish spotlight was to distract from the pregnancy stuff.
brigid: (9CL)
[personal profile] brigid

9 Chickweed Lane for 11-29-2022

Nothing in the layout of this strip, of either panel, is good.

The order of dialog very much should dictate the layout here. In both panels Edda speaks, then Diane speaks, then Edda speaks, then Diane speaks. In the first panel Diane's speech bubble is further to the left than Edda's speech bubble; in the second panel the tails of their speech bubbles cross each other. This is confusing. There's no flow to these two panels, to the dialog!

There's also no reason to focus on their upper bodies (as represented by the back of someone's head and her back, and turned face and back of the other person) and then on their lower bodies.

The pacing would work so much better if they were just... strolling from left to right in both panels.

Or even, say, seated some place with their dialog over the space of one long uninterrupted panel.

If a comic strip like this isn't clear then it fails as a comic strip.

This isn't some "oh you missed a detail" or "you didn't understand a word" or "you forgot this bit of history" or "you can tell these similar characters apart by these details you overlooked."

This is a messy layout where the dialog doesn't flow because it's poorly laid out.

And it's sad. Because "You have a mother you can ask these sort of questions of; I did not and had to turn to your mother, who was helpful and kind" is interesting. It... doesn't exactly make sense why her child's former school teacher would turn to Juliette for this kind of... really intimate information and advice. But I suppose you could chalk that up to Main Character Syndrome.

But the jumbled speech bubbles, the absolutely unneeded leg shot, the complete lack of background... seeing the back of someone's head as she engages in conversation! It's poorly planned, poorly laid out, and poorly executed.

Also McEldowney apparently forgot that Edda's skirt is green and red plaid in the second panel.
brigid: (9CL)
[personal profile] brigid
A former religious Sister and a school girl discuss pregnancy
9 Chickweed Lane for 11-28-2022

The first thing I want to note is that Diane has more of a distinct face than most of the female characters. It's thinner, she has cheekbones that narrow down to a defined chin. She has weird hair, too. Is it gathered in a low curly ponytail or messy curly bun? Is it pin straight until it reaches the nape of her neck at which point it curls like whoa? McEldowney knows how to draw curly hair, as demonstrated with Isabel Florin. Her hair style has always puzzled me.

Anyway, Edda was an adult when Diane left the Sisterhood. Note that she was never a Nun - she was not cloistered. She was off the world, she taught at a day school, she went grocery shopping or whatever. Francis was a Priest, not a Monk, and Diane was a Sister, not a Nun.

Edda was an adult, living on her own in New York, when her former teacher popped up.

She's probably about ten years older than Edda is. she was a professional teacher when Edda was still 13 or 14. If she had her bachelors of education and was fresh out school she'd most likely be 22 or 23. If she had her masters she'd be 25 maybe. Add at least 2 years of experience though because while she was depicted as young she wasn't depicted as insecure - she was always in control of the classroom and confident in what she was doing. So let twenties, early thirties.

The two immediately started chatting like they were good friends and equals. It might be weird to use the term "equals" but Diane had previously been in a position of authority over Edda and that sort of thing usually carries weight even after the hierarchy has changed. Edda didn't respond to her as a former teacher, but as a pal... even though they weren't shown being especially close while in school. It felt a little odd then.

Here it's even odder. Edda is depicted in her high school uniform, which is identical to her grade school uniform, with her high school hair style. She's a minor in this depiction, talking to an adult about being pregnant. McEldowney is entering the second week of a minor discussing her desire to become pregnant and have children - and this is a story line he's pursued before. Edda's been talking about this, and specifically having children with Amos, since she was a small child.

McEldowney has some THNGS to work out regarding pregnancy and by GOD we are going to witness him grappling with them.

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